口香糖和巧克力

MYR 335.00

作为日本二十世纪最重要的摄影师之一,户松翔明创作了一幅战后日本的典型肖像。
东松从《11:02长崎》中对原子弹造成的破坏的沉思开始,重点关注日本传统文化与国家日益西化之间的紧张关系,尤其是在他的开创性著作《日本》中。
从 20 世纪 50 年代末开始,户松拍摄了尽可能多的美国军事基地——从日本主岛上的军事基地开始,到冲绳岛结束,冲绳岛是日本最南端的一个备受争议的群岛。户松的照片聚焦于美国胜利和占领带来的地震影响:身穿制服的美国士兵与日本妇女在红灯区狂欢;外国儿童在横须贺和厚木等城市的肮脏环境中玩耍;新兴的抗议和反文化是为了应对美国持续的军事存在而形成的。
他最初将这个系列命名为“职业”,但后来将其重新命名为“口香糖和巧克力”,以反映士兵们给日本孩子们的分发品——含糖且容易上瘾,但缺乏营养价值。尽管他的许多最具标志性的图像都来自这个系列,但这部作品中最好的部分以前从未被集中在一本书中。
摄影师调查“国家的皮肤”的联合策展人利奥·鲁宾菲恩(Leo Rubinfien)撰写了一篇文章,探讨了户松对美国占领和日本不断变化的国家认同的矛盾心理。本书还收录了户松在 20 世纪 60 年代和 70 年代从未翻译过的作品,为艺术家的创作初衷和当时的社会政治思考提供了背景。 Shomei Tomatsu(1930-2012)在自营摄影机构 Vivo 中发挥了核心作用,并创立了 Shaken 出版社和季刊《Ken》。
1974 年,他参加了在纽约现代艺术博物馆举办的开创性的“新日本摄影”展览,并于 2011 年在名古屋市美术馆展出了“户松翔明:照片”,这是对其作品的全面回顾。

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英语语言

格式: 精装本 | 216页
方面: 295 x 248 x 27 毫米| 1700克

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