写真物語 1 1889−1968

MYR 169.00

高梨丰 中平卓 森山大道 木清 茂雄 荒木 土田宏美

田一政 北井一夫 筱山 古屋 石内都 昌久

日本影大关系+趣事+日本影画册索引+日本影年表……性整理日本影相关

内容

书对日本影史行了梳理,透过摄影大的作品,把日本影的面貌原汁原味地呈者面前。而也是者在阅读数本日本大典文集之后,甚或之前,对风靡全球的日本影更完整的必要认识

第二册日本1969—1989”记录了日本当代影的期。取多位艺术家的代表作和语录、思考随笔或访谈,向者展示日本当代影家不断研究和吸收前新知,将其内化于作,从而使日本入繁荣期,开始大放异彩的程。选录影家的作品及料从1968年后的荒木惟、森山大道直至1990年代之前入日本影史的筱山信、北井一夫、石内都等,非常尽。

文献式的梳理,让读日本影史的黄金日代有一个全景式的了解,意,洋溢文采的诠释与演,深化了影作独立艺术类型的思想与意。近百幅高量的各影大的代表作,具有很高的阅读及收藏价

媒体评论与名人推荐

如果2080年代之前的日本影代表了一个动荡时代的美学追求与文化心理,此后出的日本影家似乎有意回避了情性的表达而更念的表达,其作品也更多有一种哲学思辨的念色彩与理性的冷静。

——顾铮影家、评论家)

,洋溢文采的诠释与演,不深化了影作独立艺术类型的思想与意,同也是伴随后定向前的珍贵动力。我诚挚第推荐此,特别是有志于影学实务的朋友

——沈昭良(台湾影家)

中交叠的多日本影家名字,仿佛是漫旅途中经过一站站的小站名,我掉那片无尽的影像荒原里……谢谢你整理了些在我旅途中出的美好景,而我看着看着,竟也就走到了……

——郭英声(台湾艺术家)

过编者有系的整理,者的收将不只是写真(作品)里的物,更包括了写真(史)的物推荐想要了解日本视觉文化的人。

——江明玉(《日日》志中文版)

某种意上,拍什么,其都是在掂量人与人之的关系……森山的寡态变成文字和影像,就成了他的法和技入森山独特美学的入口之一。

——朱白(评论家)

影中有着,相机中有着影的行中也有着

所以就算是一照片也好,照片也好,影只要按照拍摄顺序排列就好,因为摄影的一切,都是呀。

—— 荒木

影,和活着的人的意,一起奔跑着。——高梨丰

一旦按下了快门,一切都已经结束。 —— 中平卓


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Language: Chinese

Format: Hardback | 284 pages
Dimensions: 218 x 225 x 30mm | 1148g

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