消逝的鐵窗: 百年半山芭監獄光影殘集 1891-2012

MYR 65.00

这是一部冷静而深刻的纪实摄影作品,《消逝的铁窗》记录马来西亚半山芭监狱在拆除前的最后阶段。摄影师 陈奕龙 历时十余年持续追踪拍摄,以黑白影像与极为罕见的囚犯涂鸦文本,重建一座已被城市抹去的历史空间。

半山芭监狱横跨殖民时期、战争年代与独立后的社会转型,是权力机制与个体命运交汇之地。在高墙之内,不仅囚禁身体,也承载恐惧、信仰、忏悔与微弱的希望。

本书并不将监狱视为单纯的废墟,而是一个仍然“发声”的空间档案。牢房中遗留的文字、墙面痕迹与空间结构,共同构成一部沉默却真实的人性记录。透过长期进入现场的影像实践,摄影师在消失之前,为这座建筑留下最后的视觉证词。

《消逝的铁窗》不是历史年表,而是一部关于记忆、权力与城市遗忘机制的影像研究。它提醒我们:城市的更新,往往以历史的消失作为代价。

这不仅是一本文献式摄影集,更是一份难以再现的视觉档案。
适合收藏与阅读的人群包括:

  • 纪实摄影与长期田野创作的关注者
  • 城市研究、历史记忆与文化遗产研究者
  • 对权力结构与社会空间感兴趣的读者
  • 东南亚当代历史视觉记录收藏者
  • 重视概念性与档案价值摄影书的收藏者


A stark and deeply reflective documentary photography work,
《消逝的铁窗》 captures the final chapter of Malaysia’s historic Pudu Prison before its demolition. Through a decade long engagement with the site, photographer Tan Ee Long (陈奕龙) reconstructs a vanished architecture of confinement using black-and-white imagery and rare traces of inmate graffiti.

Once a site spanning colonial rule, wartime turbulence, and post-independence transformation, Pudu Prison stood as a space where systems of power and individual destinies intersected. Within its towering walls, it contained not only bodies, but also fear, faith, remorse, and fragile hope.

This book transforms ruins into testimony. The prison’s remaining cells, corridors, and walls are not treated as silent remnants, but as surfaces still carrying human presence etched in handwritten marks, graffiti, and forgotten inscriptions. Over more than ten years of sustained photographic work, Tan Ee Long enters this disappearing space to document its final material and emotional state before erasure.

Rather than presenting history as chronology, this work positions the prison as a contested archive of memory, control, and urban disappearance. It invites readers to confront how cities grow by forgetting, and what is lost when structures of memory are removed.

This is not simply a photography book, it is a rare visual archive of a disappeared institution.

You should consider owning it if you are drawn to:

  • Documentary photography with long-term field commitment
  • Urban history, memory studies, and architectural disappearance
  • Social commentary on power, confinement, and institutional space
  • Southeast Asian historical narratives rarely documented in visual form
  • Collectible photobooks with strong conceptual and archival value

At its core, this book preserves what cannot be rebuilt: the last visual memory of a space erased by modern development.

Language: Chinese
Format: Hardcover | 95 pages
Dimensions:  220 x 300mm | 750g
Publication Year: 2026 | First Edition
ISBN: 978-629-97856-1-3

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