{"title":"Theme_Person","description":"","products":[{"product_id":"mirai-chan","title":"Mirai-Chan 未来ちゃん","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eA true masterpiece of such lively images, capturing a year of this little girl’s life.\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe book is beautifully designed by Shin Sobue, and it feels like the photographs are directly transformed into pages as they are.\u003cbr\u003e\u003cbr\u003e+++\u003cbr\u003eLanguage: Japanese\u003cbr\u003e\u003c\/span\u003eFormat: Softcover | 204 pages\u003cbr\u003eDimensions: 152 x 228 x 23mm \u003cspan data-mce-fragment=\"1\"\u003e| 760\u003c\/span\u003eg\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e","brand":"ナナロク社","offers":[{"title":"Default Title","offer_id":39255834689698,"sku":"","price":180.0,"currency_code":"MYR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/products\/Mirai-Chan.png?v=1615014681"},{"product_id":"sentimental-journey-1971-2017-1971-2017","title":"Sentimental Journey (1971 - 2017 -) センチメンタルな旅 (1971 - 2017 -)","description":"\u003cp\u003e\u003cstrong\u003ePublished with an exhibition at the Tokyo Photographic Art Museum, this profoundly poignant collection of photographs by Nobuyoshi Araki focuses on a single theme from his vast oeuvre: his wife Yoko.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAs Araki himself has said, Its thanks to Yoko that I became a photographer. From their first encounter in 1968 until her premature death from ovarian cancer in 1990, Yoko was his most important subject and muse. The book explores Arakis relationship with the woman he most treasured, beginning with his record of their honeymoon, and continuing with numerous photos in which she is the subject, as well as many others from after her passing that give a strong sense of her presence. \u003c\/p\u003e\n\u003cp\u003e+++\u003c\/p\u003e\n\u003cp\u003eLanguage: English\u003cbr\u003eFormat: Hardcover | 287 pages\u003cbr\u003eDimensions: 255 x 185 x 23mm | 850g\u003c\/p\u003e","brand":"HeHe Tokyo Photographic Art Museum","offers":[{"title":"Default Title","offer_id":39263391056034,"sku":"","price":175.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/Sentimental.png?v=1771574157"},{"product_id":"ravens","title":"Ravens","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"Ravens is one of the defining bodies of work in the history of photography and a high point in the photo book genre. This accumulation of accolades, and the passing of time, have obscured much of the fascinating detail which explains the artist’s pre-occupation with this motif throughout his work. It was not simply a reflection of the existential angst and anhedonia he suffered throughout his life but manifested in artistic self-identification with the raven and ultimately spiralled into a solitary existence and artistic practice on the edge of madness. And all this before an untimely accident in 1992, a fall down the stairs of his favourite bar, resulted in him spending the final twenty years before his death with his consciousness suspended and in medical isolation. Fukase became the singular raven frozen by his camera and immortalized on the cover of his most famous book.\" – Tomo Kosuga from his essay Cries of Solitude [2017] \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eConsistently proclaimed as one of the most important photobooks in the history of the medium, Ravens by Japanese photographer Masahisa Fukase was first published in 1986 and the two subsequent editions were both short print runs that sold out immediately. This bilingual facsimile of the first edition contains a new text by founder of the Masahisa Fukase Archives, Tomo Kosuga. His essay locates Ravens in Fukase’s wider work and life, and is illustrated with numerous recently discovered photographs and drawings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFukase’s haunting series of work was made between 1975 and 1986 in the aftermath of a divorce and was apparently triggered by a mournful train journey to his hometown. The coastal landscapes of Hokkaido serve as the backdrop for his profoundly dark and impressionistic photographs of ominous flocks of crows. The work has been interpreted as an ominous allegory for postwar Japan. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMasahisa Fukase (b. 1934, Hokkaido; d. 2012) graduated from the Nihon University College of Art’s Photography Department in 1956. He became a freelance photographer in 1968 after working at the Nippon Design Center and Kawade Shobo Publishers. His major books include Yugi [Homo Ludence] (Chuokoron-sha, 1971); Yohko(Asahi Sonorama, 1978), and Karasu [Ravens] (Sokyu-sha, 1986). Countless solo exhibitions have been dedicated to Fukase’s work, and his photographs have been included in group exhibitions at the MoMA, NY; Oxford Museum of Art; Fondation Cartier pour l’Art Contemporain, Paris; V\u0026amp;A, London. Fukase also won numerous prizes, including the 2nd Ina Nobuo Award in 1976 for his exhibition “Karasu” and the Special Award at the 8th Higashikawa Photography Awards in 1992. Fukase tragically fell down a set of stairs in 1992 and suffered a traumatic brain injury from which he never recovered. He passed away in 2012.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e80 tritone plates, 13 colour plates\u003cbr\u003eEmbossed linen bound hardback, housed in a silkscreened slipcase\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e+++\u003cbr\u003eLanguage: English, Japanese\u003cbr\u003e\u003c\/span\u003eFormat: Hardcover | 148 pages\u003cbr\u003eDimensions: 263 x 263\u003cspan\u003emm\u003c\/span\u003e \u003cspan\u003e| 1150\u003c\/span\u003eg\u003cbr\u003e\u003cspan\u003eISBN: 978-1-910164-83-9\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":41365311979682,"sku":"","price":550.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/products\/ravens.png?v=1638778471"},{"product_id":"an-aperture-monograph-diane-arbus","title":"An Aperture Monograph: Diane Arbus","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eWhen Diane Arbus died in 1971 at the age of 48, she was already a significant influence—even something of a legend—for serious photographers, although only a relatively small number of her most important pictures were widely known at the time. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThe publication of Diane Arbus: An Aperture Monograph in 1972—along with the posthumous retrospective at The Museum of Modern Art—offered the general public its first encounter with the breadth and power of her achievements. The response was unprecedented. The monograph, composed of 80 photographs, was edited and designed by the painter Marvin Israel, Diane Arbus' friend and colleague, and by her daughter Doon Arbus. Their goal in producing the book was to remain as faithful as possible to the standards by which Arbus judged her own work and to the ways in which she hoped it would be seen. Universally acknowledged as a photobook classic, Diane Arbus: An Aperture Monograph is a timeless masterpiece with editions in five languages, and remains the foundation of her international reputation. A quarter of a century has done nothing to diminish the riveting impact of these pictures or the controversy they inspire. Arbus' photographs penetrate the psyche with all the force of a personal encounter and, in doing so, transform the way we see the world and the people in it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eLanguage: English\u003cbr\u003e\u003c\/span\u003eFormat: Hardback | 184 pages\u003cbr\u003eDimensions: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e243 x 287 x 20mm\u003c\/span\u003e | 1250g\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42588806086818,"sku":"","price":302.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/products\/DoonArbus-DianeArbus.png?v=1664175511"},{"product_id":"on-contested-terrain","title":"On Contested Terrain","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAn-My Lê: On Contested Terrain is the first comprehensive survey of the Vietnamese American artist, published on the occasion of a major exhibition organized by Carnegie Museum of Art, Pittsburgh.\u003c\/strong\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDrawing, in part, from her own experiences of the Vietnam War, Lê has created a body of work committed to expanding and complicating our understanding of the activities and motivations behind conflict and war. Throughout her thirty-year career, Lê has photographed noncombatant roles of active-duty service members, often on the sites of former battlefields, including those reserved for training or the reenactment of war, and those created as film sets. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis publication includes selections from her well-known series Viêt Nam, Small Wars, 29 Palms, and Events Ashore, in addition to never-before-seen images, including recent photographs from the US-Mexico border, formative early work, and lesser-known projects. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eEssays by the organizing curator Dan Leers and curator Lisa J. Sutcliffe, as well as a dialogue between Lê and Pulitzer Prize–winning author Viet Thanh Nguyen, address the ways in which Lê’s quiet, nuanced work complicates the landscapes of conflict that have long informed American identity. Copublished by Aperture and Carnegie Museum of Art\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cbr\u003e+++\u003cbr\u003e\u003c\/span\u003eLanguage: English, Japanese\u003cbr\u003eFormat: Softcover | 308 pages\u003cbr\u003eDimensions: 212 x 150 x 27.5mm | 615g\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42589456662690,"sku":"","price":369.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/products\/An-MyLe-OnContestedTerrain.png?v=1664176305"},{"product_id":"edward-weston-the-flame-of-recognition","title":"Edward Weston: The Flame of Recognition","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eThis classic monograph, first issued as a hardcover in 1965, began its life in 1958 as a monographic issue of Aperture magazine published in celebration of Weston's life.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDrawing on a decades-long collaboration between the photographer and Nancy Newhall, Aperture cofounder and early MoMA curator, this volume brings together a sequence of images and excerpts from Weston's writing in an effort to channel the photographer's creativity and, in his own words, present clearly my feeling for life with photographic beauty…without subterfuge or evasion in spirit or technique. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNow, 50 years later, Aperture presents a reissue of this volume, which covers the range of Weston's greatest works, from the portraits and nudes to the landscapes and still-lifes. Accompanying and amplifying the images are Weston's own thoughts, excerpted from his now-famed daybooks and letters. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOthers who contributed to the making of the book include two of the artist's sons, Brett and Cole, and two other Aperture cofounders, filmmaker and author Dody Warren Weston and Ansel Adams, whose preface offers a posthumous tribute to the oeuvre of a remarkable artist. A brief bibliography as well as a chronology offer further insight into the life and work of this giant of twentieth-century photography.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e+++\u003cbr data-mce-fragment=\"1\"\u003eLanguage: English\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFormat: Hardback | 112 pages\u003cbr\u003eDimensions \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e255 x 222 x 18mm\u003c\/span\u003e | 510g\u003cbr\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42589774086306,"sku":"","price":168.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/products\/EdwardWeston-TheFlameofRecognition.png?v=1664176088"},{"product_id":"dancing-with-my-camera","title":"Dancing with my Camera","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eAccompanying Singh’s first touring retrospective, this survey includes previously unseen early works, favorite series and new montages.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThe internationally acclaimed photographer Dayanita Singh often describes herself as a “book artist.” Accordingly, Singh was closely involved in the making of this magnificent exhibition catalog, which accompanies a major touring retrospective of Singh’s work, curated by Stephanie Rosenthal for the Gropius Bau. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThe most comprehensive publication yet published on Singh’s photographic art, it includes a series of long-form and short-form scholarly essays, full-color reproductions and installation images. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThe texts situate Singh’s work in relation to topics such as Indian classical music, photographic lineages and traditions, conceptions of the archive, choreography and the economies of reproduction. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003ePresenting every important phase in the photographer’s oeuvre, Dancing with My Camera also enters Singh’s archive to include never-before-seen early works from the 1980s, a new series of montages and the works Let’s See, Museum of Chance, Museum of Shedding, I Am as I Am, Go Away Closer and Box 507, among others. 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Hattori","description":"\u003cp\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003e\u003cspan\u003eAt my house I have a cat named Hattori-kun. Hattori-kun fled from Futaba, a town in Fukushima, when the Great East Japan Earthquake devastated the area in 2011.\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAt the time, I wasn't much interested in photographing cats. But as I spent time with Hattori-kun, I gradually became attracted by his solitariness and at the same time his loveliness.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOne day, when I was looking at the photographs in the last few frames of the roll of film I had taken, there was Hattori-kun with an expression on his face that was just like mine. From beyond the coarse granularity of the photographic film, those eyes gazed steadily back at me as if clinging desperately to life. Far from home, completely domesticated, here was his true nature, the expression of a wild animal he showed for a brief moment only to me. \"Photographing something loved\"\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWe go with the flow of the scenery outside the small window, and I want to be engrossed forever in taking pictures. But a cat's clock advances at a very fast speed, so I know that Hattori-kun's clock will get ahead of mine and stop before mine does. Until then, I will love this mysterious, elusive creature and capture in photographs the Hattori-kun only I can see.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis photograph collection is a story of love I and Hattori-kun have spun together.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e+++\u003cbr\u003eLanguage: English, Japanese\u003cbr\u003e\u003c\/span\u003eFormat: Hardback | 104 pages\u003cbr\u003eDimensions: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e230 x 195mm\u003c\/span\u003e | 450g\u003cbr\u003eISBN: 978-4-8021-3120-9\u003cbr\u003e\u003c\/p\u003e","brand":"Libro Arte","offers":[{"title":"Default Title","offer_id":43926262841506,"sku":null,"price":193.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/HeyHattori.png?v=1703577202"},{"product_id":"dear-hattori","title":"Dear Hattori","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTen years have passed since Hattori the cat and I came across each other. He doesn't look much different, but when I watch him playing and and then see him getting tired and falling asleep much sooner than he used to, I notice that he is getting old.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e+++\u003cbr\u003eLanguage: English, Japanese\u003c\/span\u003e \u003cbr\u003eFormat: Softcover\u003cbr\u003eDimensions: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e222 x 139 x 15mm \u003c\/span\u003e| 400g\u003cbr\u003eISBN: 978-904541-34-0 C0072\u003c\/p\u003e","brand":"Libro Arte","offers":[{"title":"Default Title","offer_id":43926301802658,"sku":null,"price":193.0,"currency_code":"MYR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/websitethumbnails-11.png?v=1733897013"},{"product_id":"a-fallen-angel","title":"A Fallen Angel","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eWhen we dream, no matter how strange the dream is, we are only carried along by it as a raft adrift on waves. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eTurn the pages of A Fallen Angel too as if you were a raft adrift on waves. \u003c\/span\u003e\u003cspan\u003eDon't think for a minute that the girl with the stars and stripes wrapped around her body straddling a broomstick in the manner of a witch is a critique of civilization. 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More aptly, it is like the thoughts a mother holds in her heart. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eBy abandoning intuitive feeling, Tatsuki also draws near to these thoughts (recordability). The photographs are not a group of good friends that tell a photo story. They may seem to be because they record a series of encounters of physical and psychological mechanisms that happen to one girl. \u003c\/span\u003e\u003cspan\u003eThis approach avoids the intentional. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThis concentrated encounter with nonsense is more a documentary than a story. 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I find myself naked, sprawled out on the bed in soft darkness. The light from the lamp shines as if it were floating through the air.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eT\u003c\/span\u003e\u003cspan\u003ehe silk sheets feel good wrapped around my skin. Sitting cross-legged at the foot of the bed is a woman holding a small camera. Who could she be? Beyond the camera I see white skin. Black clothes. The sensual sound of a woman's voice. What could she be saying to me, here in my nudity? \u003c\/span\u003e\u003cspan\u003eThe sound of a shutter clicking. Again she says something. Gentle sounds impress me with their elegance. Theya re near, yet sound as if they come from so far away. I wonder what she's saying. The voice that speaks is more sound. Or rather, like soothing music. And yet so vague. Somthing dimly falls over my eyes. It's as if a film as thin as the wings of a dragonfly has been drawn between her adn I. And yet it is as strong as spider silk. How can this film be so strong? I don't know. The film juse can't be weak. Or so I think. Again, the sound of a sutter clicking. The veil quivers slightly. I gaze vacantly at my arm in front of me. The woman's tone fades in the distance. The film unfailingly cuts away the light, sometimes blurring into it. I am taken to a world of chaotic darkness. And once again I return to the world of light. But for an instant, I am lost between them.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExcerpt from Tatsushi Omori's essay titled 'Light in the Chaos', p\u003c\/span\u003e\u003cspan\u003eublished in Night Flight (2008).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAll text available in both Japanese and English.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eClick \u003ca href=\"https:\/\/www.youtube.com\/watch?v=Hdo6kwI1ozc\u0026amp;t=198s\"\u003e\u003cem\u003ehere\u003c\/em\u003e\u003c\/a\u003e to see book flip-through video.\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e+++\u003cbr\u003eLanguage: English, Japanese\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFormat: Hardcover | 80 pages\u003cbr\u003eDimensions: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e420 × 297 ㎜ \u003c\/span\u003e| 650g\u003c\/p\u003e","brand":"Libro Arte","offers":[{"title":"Default Title","offer_id":43926373662882,"sku":null,"price":148.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/NightFlight.png?v=1703577247"},{"product_id":"w-bu-zhidao","title":"我不知道 \/ Wo bu zhidao","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eI do not know, 我 不 知道, (pronounced Wǒ bù zhīdào), is the first complete sentence I learned in Chinese. \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAnd every time people ask me ‘What is going on in China?’ I always respond using that sentence: Wǒ bù zhīdào, I don’t know!\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eChina is so vast and it changes at such high speed, I have never been able to define the country. Wǒ bù zhīdào is the name of my photographic project started in the spring of 2011.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIt explores the changes in the country where I lived from 2002-2008 and I have been shooting for some months in 2009, 2012 and 2014.\u003c\/p\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e+++\u003cbr\u003eLanguage: English\u003cbr\u003e\u003c\/span\u003e\n\u003cp class=\"p1\"\u003eFormat: Softcover | 176 pages\u003cbr\u003eDimensions: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e 300 x 220 mm\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e| 510g\u003c\/p\u003e\n\u003cbr\u003e","brand":"Libro Arte","offers":[{"title":"Default Title","offer_id":43926391029922,"sku":null,"price":283.0,"currency_code":"MYR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/WoBuZhiDao.png?v=1703569329"},{"product_id":"a-fucking-mess","title":"A Fuckin Mess","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003e'A Fuckin Mess' captures one weary traveler within the lens of another. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTraveling as backpackers, You Liang and her partner have stayed in many places: hostels, motels, home-stays, yurts and so on. The paper of this photo-book, like the flyers stuffed in the crack of the motel door, is intentional. The walls of the motel were peeling off, the pillow covers were stained, everything in the material world is cheap, but travellers own a lot of puny but priceless moments.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLimited to 150 copies\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003ePaper: inner page 157g cover 250g coated paper subfilm\u003cbr\u003eBinding: Horse riding nails\u003cbr\u003eYear: 2020\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e-----\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003e《狼藉》\u003c\/span\u003e\u003cspan\u003e(A Fuckin Mess) \u003c\/span\u003e\u003cspan\u003e捕捉 \u003c\/span\u003e\u003cspan\u003e了一个疲惫的旅人镜头下的另一个疲惫的旅人。在做背包 客的途中，酉良和友人住过各类旅馆 \u003c\/span\u003e\u003cspan\u003e: \u003c\/span\u003e\u003cspan\u003e短租拼房、民宿、没 有暖气的毡房等。就像旅馆门缝里被塞进来的广告纸一样， 纸张的材质也被作为构成作品的一部分。旅馆墙皮脱落， 枕巾污迹斑斑，物质世界的一切都是廉价的，但旅人们拥\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv title=\"Page 23\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003e有很多个温情、无价的珍贵时刻。 \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003eBook Size: \u003cmeta charset=\"utf-8\"\u003e208 x 268mm\u003cbr\u003ePages: 20 pages\u003cbr\u003eBinding: Softcover\u003c\/p\u003e","brand":"酉良 You Liang","offers":[{"title":"Default Title","offer_id":43930159251618,"sku":null,"price":38.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/AFuckin.png?v=1703568350"},{"product_id":"jin-me-yoon","title":"Jin-Me Yoon","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eA three-decade compendium of Jin-me Yoon’s photographic series exploring Canadian and Asian stereotypes and identity.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eCovering over 30 years of artistic practice, this book celebrates the complex yet highly distilled photographs of Korean-born, Vancouver-based Jin-me Yoon’s (born 1960) dynamic vision. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThe book reveals how Yoon uses the inherent mobility of images and the forces of diasporic thinking to bring disparate worlds together in poetic relation and create conditions for a different future. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eFeatured works include Fugitive (Unbidden) (2004), which calls up stereotypes imposed on Asian Canadians and Asian Americans through popular culture in the context of intergenerational histories of war; and Long Time So Long (2022), in which, wearing traditional Korean masks that have been fused with ubiquitous emojis, Yoon performs against the background of an industrial waste plant that is also a natural bird habitat, to reimagine new ways of being in relation to nature and one another. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e+++\u003cbr\u003eLanguage: English\u003cbr\u003e\u003c\/span\u003eFormat: Hardback | 228 pages\u003cbr\u003eDimensions: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e255 x 312 x 25mm\u003c\/span\u003e | 2000g\u003cbr\u003eISBN: 3969992184\u003c\/p\u003e","brand":"Thames \u0026 Hudson","offers":[{"title":"Default Title","offer_id":43935123407010,"sku":null,"price":298.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/joon-me.png?v=1703824709"},{"product_id":"flowers","title":"Flowers","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-formula-bar-text-style=\"font-size:16px;color:#000000;font-weight:normal;text-decoration:none;font-family:'docs-Calibri';font-style:normal;text-decoration-skip-ink:none;\"\u003eYoshiyuki Okuyama photographed 'flowers' in his late grandmother's home, which he now uses as a studio space. According to an interview by \u003c\/span\u003e\u003cspan data-sheets-formula-bar-text-style=\"font-size:16px;color:#000000;font-weight:normal;text-decoration:none;font-family:''docs-Calibri'';font-style:italic;text-decoration-skip-ink:none;\"\u003eTokio\u003c\/span\u003e\u003cspan data-sheets-formula-bar-text-style=\"font-size:16px;color:#000000;font-weight:normal;text-decoration:none;font-family:'docs-Calibri';font-style:normal;text-decoration-skip-ink:none;\"\u003en, Okuyama started his project when florist Megumi Shinozaki of Edenworks asked him to photograph unsold flowers before she threw them away. She wanted to preserve the flowers by taking memorial photographs of them, and this resonated with Okuyama whose grandmother loved arranging and displaying flowers in her home. Okuyama regretted not speaking to his grandmother much when she was alive; but through facing the flowers and clicking the shutter button, Okuyama felt her presence, and his connection and understanding of his grandmother grew.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-formula-bar-text-style=\"font-size:16px;color:#000000;font-weight:normal;text-decoration:none;font-family:'docs-Calibri';font-style:normal;text-decoration-skip-ink:none;\"\u003eWatch book flip through video \u003ca rel=\"noopener\" title=\"Okuyama Flowers book flip through\" href=\"https:\/\/youtu.be\/7KCm2xH1ik0?si=j-s0NFd3IJOg-8xQ\" target=\"_blank\"\u003ehere\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e+++\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eBinding: Hardcover\u003cbr\u003ePages: 112 pages | 850g\u003cbr\u003eBook Size: 200 x 148mm\u003c\/p\u003e\n\u003c!----\u003e","brand":"Akaaka Art Publishing Inc","offers":[{"title":"Default Title","offer_id":44686316175522,"sku":null,"price":250.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/Artboard2copy.png?v=1720592391"},{"product_id":"sasuke","title":"SASUKE","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn 1976—after Masahisa Fukase's wife Yoko left—he adopted a kitten and named him Sasuke. Sasuke soon became the subject of Fukase's photography; however, ten days later he disappeared. Fukase plastered lost cat posters around his neighbourhood and searched for Sasuke, and was eventually contacted by a woman who insisted she found the kitten in his posters. When Fukase went to bring Sasuke home, he discovered it was not him. Fukase adopted the kitten and named him Sasuke Number Two. This book is a documentation of Sasuke Number Two and Momoe (a cat Fukase later adopts); but can also be viewed—as noted by Fukase–as a self-portrait where he through his cats.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eLanguage: Japanese\u003cbr\u003e\u003c\/span\u003eBinding: Hardcover\u003cbr\u003ePages: 192 pages | 900g\u003cbr\u003eBook Size: 260 x 185mm\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Akaaka Art Publishing Inc","offers":[{"title":"Default Title","offer_id":44686321418402,"sku":null,"price":252.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/Artboard1copy.png?v=1720592376"},{"product_id":"masahisa-fukase-1961-1991-retrospective","title":"Masahisa Fukase 1961-1991 Retrospective","description":"\u003cp\u003e\u003cspan\u003ePublished to accompany a large-scale retrospective at the Tokyo Photograph Museum, this pocket-sized book features eight series of Masahisa Fukase's lifeworks, including 'Karasu (Ravens)', 'Bukubuku', 'Homo Ludence', 'Sasuke', 'Walking Eye' and 'Yoko'. Revered for his experimentation, unique perspective, and for turning the camera on his private life, this book traces Fukase's works between the 1960s and early 1990s, and acts as a concise introduction to Fukase's unique world.\u003cbr\u003e\u003cbr\u003e+++\u003cbr\u003eLanguage: Japanese \u0026amp; English\u003cbr\u003eBook Size: 220 × 148mm\u003cbr\u003ePages: 216 pages\u003cbr\u003eBinding: Hardback\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Akaaka Art Publishing Inc","offers":[{"title":"Default Title","offer_id":44686349402274,"sku":null,"price":150.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/Artboard1copy3.png?v=1720592310"},{"product_id":"when-i-was-seven","title":"When I Was Seven","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eRinko Kawauchi commemorates the 40th anniversary of fashion brand agnés b's signature 'cardigan pression' in her photobook, 'When I was seven.' \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eComposed of two parts, the first part of Kawauchi's book features her daughter Kaoru who was on the cusp of turning seven. In the second part, Kawauchi reflects on her own childhood, the process of growing up, and the future awaiting her daughter. The images are unified by the cardigan worn by Kaoru, symbolizing connection and continuity, and opens a dialogue between generations. The project culminates in Kawauchi's afterword, expressing the timeless joy found in the bond between mother and daughter, and the profound significance of life's journey.\u003cbr\u003e\u003cbr\u003e+++\u003cbr\u003eLanguage: Japanese \u0026amp; English\u003cbr\u003eBook Size: 1\u003cmeta charset=\"UTF-8\"\u003e80 × 148mm\u003cbr\u003ePages: 64 pages\u003cbr\u003eBinding: Softcover\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"HeHe Tokyo Photographic Art Museum","offers":[{"title":"Default Title","offer_id":44686381416610,"sku":null,"price":148.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/Artboard1copy4.png?v=1720592288"},{"product_id":"asada-family","title":"Asada Family","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"355\"\u003eMasashi Asada’s \u003cem data-start=\"16\" data-end=\"30\"\u003eAsada Family\u003c\/em\u003e won the Kimura Ihei Photography Award in 2008 and was seven years in the making. The photobook is uniquely structured into two halves—one following a Western reading format, the other a traditional Japanese style. The first half showcases the family engaging in elaborate role-play, while the second is more introspective.\u003c\/p\u003e\n\u003cp data-start=\"357\" data-end=\"765\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eAt the book’s center, where the halves meet, a section on yellow paper features Asada’s reflections on his work, framing it as a reimagining of commemorative photography. Each scene is meticulously staged with full family participation, and a Q\u0026amp;A section includes responses from each member, signed with their familial titles. \u003cem data-start=\"684\" data-end=\"698\"\u003eAsada Family\u003c\/em\u003e radiates warmth and nostalgia, much like a cherished family album.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLanguage: Japanese\u003cbr\u003e\u003c\/span\u003eBinding: Softcover\u003cbr\u003ePages: 106 pages | 390g\u003cbr\u003eBook Size: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e257× 182mm\u003c\/span\u003e\u003c\/p\u003e","brand":"Akaaka Art Publishing Inc","offers":[{"title":"Default Title","offer_id":44686395670690,"sku":null,"price":175.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/Artboard1copy14.png?v=1720592271"},{"product_id":"about-love","title":"About Love","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e'Ai ni Tsuite' ('About Love') is a 400-page declaration of love by Sakiko Nomura, a photographer who began her career as an assistant to Nobuyoshi Araki in 1991. In this extensive collection, Nomura presents images of 100 men she photographed over her 20-year career. Nomura's nude photographs are characterised by their openness and lack of concealment. There is a distinct space between Nomura and her subjects; they are not her lovers, but rather exist within the confines of the photographs she captures. Despite this distance, Nomura's images often reveal more about her subjects than could ever be gleaned from a lifetime spent together.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLanguage: Japanese\u003cbr\u003e\u003c\/span\u003eBinding: Hardcover\u003cbr\u003ePages: 400 pages | 720g\u003cbr\u003eBook Size: 215 x 150mm\u003c\/p\u003e\n\u003c!----\u003e","brand":"ASAMI OKADA PUBLISING","offers":[{"title":"Default Title","offer_id":44686418641058,"sku":null,"price":235.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/Artboard1copy16.png?v=1720592177"},{"product_id":"shigeo-gocho-works","title":"Shigeo Gocho: Works","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan\u003eArranged in chronological order, 'Shigeo Gocho: Works' showcases the works of Shigeo Gocho during his lifetime. Starting with his debut series 'Days', this book takes us on a journey through Gocho's other photographic works, 'Self and Others,' 'Familiar Street Scenes' and “Childhood,” and includes his two painting series 'Spiritual Travels' and 'Memories of Water.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e+++\u003cbr\u003eLanguage: Japanese \u0026amp; English\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFormat: Hardcover | 248\u003cbr\u003eDimensions: \u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e245 × 255mm\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e| 1360g\u003c\/p\u003e","brand":"Akaaka Art Publishing Inc","offers":[{"title":"Default Title","offer_id":44754532860066,"sku":null,"price":310.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/Artboard1copy6_1729d097-b1db-4ab9-9e8b-6f3b09ede05f.png?v=1720593475"},{"product_id":"from-my-land-to-the-planet","title":"From my Land to the Planet","description":"\u003cdiv class=\"bold\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eFrom my land to the Planet is the first book that brings together the reflections written in the first person by Sebastião Salgado: a long story driven by the Brazilian photographer's ecological sensitivity, in which he describes the creation of the Instituto Terra in Brazil and his path as man and witness of our time. Salgado, authoritative voice and master of international photography, proves himself to the public as a writer, able to lead the reader, with an engaging prose, to distant countries, areas of immense beauty but also of profound injustice.Sebastião Salgado's photographs have been shown around the world. \u003cbr\u003e\u003cbr\u003eIn From my land to the Planet the photographer tells us the story of his most famous reportages: the black and white portraits of unknown men and women, workers and refugees, and more recently his Genesis project aimed at the conservation of the most beautiful places of our planet.With a kindness and a disarming simplicity, Salgado rebuilds his path, exposes his beliefs, makes us sharers of his emotions. The talent as a storyteller and the authenticity of a man who knows how to combine activism and professionalism, talent and generosity, thus emerges. Inside the book there are fascinating stories of Africa, Brazil, the Americas, Mozambique and Rwanda, and then again the birth of the Instituto Terra, of the Genesis project, of Magnum Photos and finally of Amazonas Images.\u003cbr\u003e\u003cbr\u003e“I very much like to work on long-term projects...There is time for the photographer and the people in front of the camera to understand each other. There is time to go to a place and understand what is happening there. ...When you spend more time on a project, you learn to understand your subjects. There comes a time when it is not you who is taking the pictures. Something special happens between the photographer and the people he is photographing. He realizes that they are giving the pictures to him. With my background as an economist, sociologist, and anthropologist my photograpy can be nothing but social. \u003cbr\u003e\u003cbr\u003eEverything in my background, my upbringing, my education, my focus on sociology, anthropology, and geopolitics—has speeded into my photography. Photography, for me, is continuity.” Sebastião Salgado\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e+++\u003cbr\u003eLanguage: English\u003cbr\u003e\u003c\/span\u003eFormat: Softcover | 160 pages\u003cbr\u003eDimensions: 160 x 224mm \u003cspan data-mce-fragment=\"1\"\u003e| 530\u003c\/span\u003eg\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Thames \u0026 Hudson","offers":[{"title":"Default Title","offer_id":45039400321186,"sku":null,"price":115.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/renew-25.png?v=1738649658"},{"product_id":"the-lives-of-lee-miller","title":"The Lives of LEE MILLER","description":"\u003cdiv class=\"bold\"\u003e\n\u003cspan\u003eBeautiful, bewitching and an exceptionally good photographer, Lee Miller was one of life's adventurers.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eShe became a Vogue cover girl in 1920s New York before embracing Paris, photography and Surrealism, and then dramatically changed her life yet again, reinventing herself as a war correspondent, notably covering the liberation of Dachau.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThese are but three of the many lives of Lee Miller, intimately recorded here by her son, Antony Penrose. Featuring a selection of Miller's finest work, including portraits of her friends Picasso, Tanning and Ernst, Penrose's tribute to his mother brings to life a uniquely talented woman and the turbulent times in which she lived.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"toggled description-text\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e+++\u003cbr\u003eLanguage: English\u003cbr\u003e\u003c\/span\u003eFormat: Softcover | 320 pages\u003cbr\u003eDimensions: 198 x 129mm \u003cspan data-mce-fragment=\"1\"\u003e| 370\u003c\/span\u003eg\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Thames \u0026 Hudson","offers":[{"title":"Default Title","offer_id":45039501934754,"sku":null,"price":79.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/websitethumbnails-15_fb8b7e43-4d17-4c5f-bb77-6e5af1511645.png?v=1731302532"},{"product_id":"mirai-chan-new-edition","title":"Mirai-Chan 未来ちゃん New Edition","description":"\u003cp\u003eThis 2024 edition updates the original release of Kotori Kawashima's photobook \"Mirai-chan\" with a more sophisticated binding, better print quality and an additional six photographs not included in the 2011 edition.\u003c\/p\u003e\n\u003cp\u003e\"Mirai-chan\" captures an entire year in the life of Mirai, a four-year-old girl living on the island of Sadoshima in Japan. From winter to spring, summer, autumn and winter again, Kawashima follows Mirai on her daily adventures in the rural and classic Japanese landscape of the island. What sets Mirai Chan apart from other series about young children is the sheer variety of situations, the nuance of Kawashima's approach, Mirai's extraordinary expressiveness, and the light-hearted yet respectful tone of the photographs. Although photographed with an eye for cuteness, Kawashima takes Mirai and her experiences seriously.\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e+++\u003cbr\u003eLanguage: Japanese\u003cbr\u003e\u003c\/span\u003eFormat: Hardcover | 208 pages\u003cbr\u003eEdition 2024 \u003cbr\u003eISBN: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e978-4-86732-029-7\u003c\/span\u003e\u003cbr\u003eDimensions: 219 x 146mm  \u003cspan data-mce-fragment=\"1\"\u003e| 680\u003c\/span\u003eg\u003c\/p\u003e","brand":"Nanarokusha Publishing","offers":[{"title":"Default Title","offer_id":45118180786338,"sku":null,"price":195.0,"currency_code":"MYR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/websitethumbnails-27_5af90131-6c2d-45af-bd3e-e243c087c3cb.png?v=1733897121"},{"product_id":"whatever-floats-your-boat","title":"Whatever floats your boat “ 随遇而安 (Signed)","description":"\u003cp\u003e对周遭观看的兴趣使我迷恋上如何将它们捕捉，几乎是遵从直觉本能地拍摄，当我得到那些图像，它们向我呈现出来一种暖味的状况，而这种状况又是如此的吸引着我。\u003c\/p\u003e\n\u003cp\u003e好似生活的时刻从它原本的时间序列中剥离出来。仿佛越是无名无序，无因无果，就越接近那个初始的遭遇。而这些所产生的碎片似乎是语焉不详的叙述，复杂的情动与回响总是出现在记忆的边缘，在那里，所有确定、连贯、具象的经验都被悬置，只有一幕幕截取后的断片，随着光线的隐现静點如谜。\u003cbr\u003e\u003cbr\u003eMy interest in what I see around makes me obsessed with how to capture them, almost instinctively, and when I get these images, they present me with an ambiguous situation that is so appealing to me.\u003cbr\u003e\u003cbr\u003eIt's as if the moment of life is stripped from its original time sequence. It's as if the more nameless and unor-ganized and uncaused it is, the closer it gets to that intial encounte. And these resulting fragments seem to be incoherent narratives, complex affections and echoes always appearing at the edge of memory, experience are suspended, and there is only a scene of intercepted fragments, silent as a riddle as the light fades in and out.\u003cbr\u003e\u003cbr\u003eThis book, it is an open topic according to the readers, generally speaking it is about female, the first page is like maternity, the shape the the drawing was from the cactus fruits on the other page, the net on clear paper the web was also deprived from the photo in the book.\u003cbr\u003e\u003cbr\u003e+++\u003cbr\u003eLanguage: Chinese \u0026amp; English\u003cbr\u003eBook Size: \u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e250 × 210mm\u003c\/span\u003e\u003cbr\u003ePages: 48 pages | 300g\u003cbr\u003eBinding: Softcover\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Lucy Zhou","offers":[{"title":"Default Title","offer_id":45118210441378,"sku":null,"price":128.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/websitethumbnails-13_311e016f-2749-475e-abba-3be8941f22b8.png?v=1733896938"},{"product_id":"mirai-chan-new-edition-signed","title":"Mirai-Chan 未来ちゃん New Edition (Signed)","description":"\u003cp\u003eThis 2024 edition updates the original release of Kotori Kawashima's photobook \"Mirai-chan\" with a more sophisticated binding, better print quality and an additional six photographs not included in the 2011 edition.\u003c\/p\u003e\n\u003cp\u003e\"Mirai-chan\" captures an entire year in the life of Mirai, a four-year-old girl living on the island of Sadoshima in Japan. From winter to spring, summer, autumn and winter again, Kawashima follows Mirai on her daily adventures in the rural and classic Japanese landscape of the island. What sets Mirai Chan apart from other series about young children is the sheer variety of situations, the nuance of Kawashima's approach, Mirai's extraordinary expressiveness, and the light-hearted yet respectful tone of the photographs. Although photographed with an eye for cuteness, Kawashima takes Mirai and her experiences seriously.\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e+++\u003cbr\u003eLanguage: Japanese\u003cbr\u003e\u003c\/span\u003eFormat: Hardcover | 208 pages\u003cbr\u003eEdition 2024 \u003cbr\u003eISBN: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e978-4-86732-029-7\u003c\/span\u003e\u003cbr\u003eDimensions: 219 x 146mm  \u003cspan data-mce-fragment=\"1\"\u003e| 680\u003c\/span\u003eg\u003c\/p\u003e","brand":"Nanarokusha Publishing","offers":[{"title":"Default Title","offer_id":45292360958114,"sku":null,"price":215.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/websitethumbnails-27_5af90131-6c2d-45af-bd3e-e243c087c3cb.png?v=1733897121"},{"product_id":"dear-hattori-signed","title":"Dear Hattori (Signed)","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTen years have passed since Hattori the cat and I came across each other. He doesn't look much different, but when I watch him playing and and then see him getting tired and falling asleep much sooner than he used to, I notice that he is getting old.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e+++\u003cbr\u003eLanguage: English, Japanese\u003c\/span\u003e \u003cbr\u003eFormat: Softcover\u003cbr\u003eDimensions: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e222 x 139 x 15mm \u003c\/span\u003e| 400g\u003cbr\u003eISBN: 978-904541-34-0 C0072\u003c\/p\u003e","brand":"Libro Arte","offers":[{"title":"Default Title","offer_id":45294317043874,"sku":null,"price":212.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/websitethumbnails-11.png?v=1733897013"},{"product_id":"hibi-1","title":"Hibi","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eHibi \u003c\/strong\u003ewas one of \u003cstrong\u003eMasahisa Fukase's last bodies of work.\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003cspan\u003eHibi\u003c\/span\u003e\u003cspan\u003e, Masahisa Fukase turns the ordinary into the extraordinary, transforming ink-stained newspaper pages into a haunting meditation on time, memory, and solitude. What begins as a simple daily ritual becomes an intimate visual diary, each stain, smudge, and mark a quiet echo of days gone by. Poetic, raw, and deeply personal, \u003c\/span\u003e\u003cspan\u003eHibi\u003c\/span\u003e\u003cspan\u003e invites you to see beauty in the fleeting and meaning in the mundane.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA network of cracks in the asphalt, faded lines and arrows desecrated by the city's countless residents, and aged road markings are all meticulously depicted in the black and white photos. The artist's personal presence is traced on each image, a shadow presence that appears to provide a reading or interpretation but is never really resolved. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"1258\" data-start=\"612\"\u003eBorn in 1934 in Bifuka, Hokkaido, Fukase studied photography at Nihon University, graduating in 1956. After working at the Nippon Design Center and Kawade Shobo Shinsha Publishers, he became a freelance photographer in 1968. His major photobooks include \u003cem data-end=\"872\" data-start=\"866\"\u003eYugi\u003c\/em\u003e (1971), \u003cem data-end=\"887\" data-start=\"881\"\u003eYoko\u003c\/em\u003e (1978), and the seminal \u003cem data-end=\"929\" data-start=\"912\"\u003eKarasu (Ravens)\u003c\/em\u003e (1986). Fukase’s work has been exhibited internationally, with notable group shows at MoMA, the Oxford Museum of Modern Art, Fondation Cartier, and the Victoria and Albert Museum. He received numerous accolades, including the 2nd Ina Nobuo Award in 1976 and the Special Award at the 8th Higashikawa Photography Awards in 1992.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1572\" data-start=\"1260\"\u003eThat same year, Fukase suffered a tragic accident, falling down a flight of stairs and sustaining a traumatic brain injury that left him in a coma for the remainder of his life. He passed away in 2012, leaving behind a body of work that continues to shape and challenge the landscape of contemporary photography.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLanguage: English\u003c\/span\u003e \u003cbr\u003eFormat: Hardcover | 240 pages\u003cbr\u003eDimensions: 160\u003cspan\u003e x 260mm \u003c\/span\u003e| 580g\u003cbr\u003eISBN: \u003cspan\u003e978-1-910164-45-7\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":45328593911970,"sku":"","price":288.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/websitethumbnails-28_1edb7ddc-8f78-4206-84e9-75491ce229de.png?v=1742453866"},{"product_id":"the-vessel-that-blossoms","title":"花之器 The Vessel that Blossoms","description":"\u003cp\u003e相貌不佳的我，成長歷程中飽受他人冷眼。青春期停滯不長，體態肥胖，遭同儕忽視，也不受異性青睞。反覆在暴食暴飲和減肥催吐過程中循環之時，也深陷自慰和性幻想的漩渦。\u003c\/p\u003e\n\u003cp\u003e我於是將全部心力放在對學業的追求。一路到大學畢業都成績斐然，然而在研究所期間，學業卻頓時陷入困境。在無數個熬夜之後，病魔悄然來襲。2011年的聖誕節前夕，獲知噩耗，一顆長在皮膚上看似無害的痘痘，竟被診斷為皮膚癌。長年遠離家鄉，孤身赴異地求學打拼，懷抱夢想，期盼受到肯定，卻在現實的荊棘中屢遭重挫。歷經了這些遭遇，我開始有意識地捕捉自身的影像。作品《櫃子裡的人》(2014)和《有容乃大》(2011)等裸體自拍作品，揭示了多年來肉身所承受的壓抑與各種挑戰。\u003c\/p\u003e\n\u003cp\u003e而作品《花之器》(2016-2022) 持續探索了我在成長過程中，長年被忽視與缺愛的狀態下，透過自拍的方式回應當時的內在需求。將身體轉移成容器，開放給植物的介入和寄生，容許花朵枝葉鑽入身軀恣意生長，吸取養分。隨著重覆性的共組與解離、內在意志力與脆弱性的相互交織，過程中肉身逐漸與有機物融為一體，最終匯聚成這本攝影集。\u003c\/p\u003e\n\u003cp\u003eWith my unattractive appearance, I endured the cold stares of others throughout my growth. My adolescence was short-lived; I was overweight, ignored by my peers, and unappealing to the opposite sex. Besides being trapped in a repetition of binge eating, drinking, and purging through dieting, I was also profoundly caught up in masturbation and sexual fantasies.\u003c\/p\u003e\n\u003cp\u003eI therefore devoted all my energy to academic pursuits. My grades were outstanding until I graduated college but became difficult during the post-graduate time. After countless sleepless nights, I did not realize that illness was quietly approaching. On the eve of Christmas in 2011, I received the bad news that a seemingly harmless pimple on my skin was diagnosed as skin cancer. Having been away from home for many years, studying and striving alone in a foreign land, I harboured dreams and hoped for recognition but encountered significant setbacks in the thorns of reality. Thus, I began to capture my image consciously. Nude self-image “My Secret Playground” (2014) and “The Container” (2011) revealed the repression and various challenges I had endured for numerous years.\u003c\/p\u003e\n\u003cp\u003eThe work “The Vessel that Blossoms” (2016-2022) continued to explore my response to internal needs during my growth, which was marked by long-term neglect and lack of love. I envisioned my body as a vessel, open to the intervention and symbiosis of plants, allowing flower buds and leaves to grow freely within myself and get nutrients. Through the repetitive processes of composition and disintegration intertwined with my inner willpower and vulnerability, my flesh gradually merges with non-organic and organic beings, culminating in the outcome of this photography collection.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eClick \u003ca href=\"https:\/\/www.youtube.com\/watch?v=aa0RZb8X9TE\u0026amp;t=12s\"\u003e\u003cem\u003ehere\u003c\/em\u003e\u003c\/a\u003e to see book flip-through video.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e+++\u003cbr\u003e\u003cspan\u003eLanguage: English \u0026amp; Chinese\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFormat: Hardcover | 108 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDimensions: 250\u003c\/span\u003e\u003cspan\u003e x 250mm \u003c\/span\u003e\u003cspan\u003e| 850g\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN: 978-626-01-3151-7\u003cbr\u003ePublication Year: 2024 | First Edition of 500\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Crystal Hee","offers":[{"title":"Default Title","offer_id":45548682281122,"sku":null,"price":148.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/huazhiqi.png?v=1748924668"},{"product_id":"ah-youth","title":"Ah, Youth","description":"\u003cp data-start=\"188\" data-end=\"227\"\u003e\u003cstrong data-start=\"188\" data-end=\"225\"\u003eAh, Youth — Huang Jun Tuan (2025)\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cem data-start=\"231\" data-end=\"502\"\u003e“For a while, I couldn’t afford to develop my film, so I tossed the rolls I’d shot into a fish tank. They once soaked in cat urine and whisky, and stayed that way for many years. Fourteen years later, I developed them. Those images turned out to be tougher than I was.”\u003c\/em\u003e — Huang Jun Tuan\u003c\/p\u003e\n\u003cp data-start=\"523\" data-end=\"710\"\u003eThe Taiwanese photographer’s \u003cstrong data-start=\"552\" data-end=\"572\"\u003efourth photobook\u003c\/strong\u003e, \u003cem data-start=\"574\" data-end=\"585\"\u003eAh, Youth\u003c\/em\u003e, is a retrospective of undeveloped rolls he shot during his university years—finally processed and printed after 14 years.\u003c\/p\u003e\n\u003cp data-start=\"712\" data-end=\"1028\"\u003eIt was a period stripped bare by poverty yet charged with reckless vitality: running wild, drinking hard, shooting obsessively. The neglected rolls—forgotten in a fish tank once home to a pufferfish named Xiao Jin, later steeped in cat urine and whisky, emerged scarred but alive, much like the youth they captured.\u003c\/p\u003e\n\u003cp data-start=\"1030\" data-end=\"1159\"\u003eBlurry, raw, and unguarded, these images form a memoir of a life lived madly and urgently, youth without a period, only a comma.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e+++\u003cbr\u003eLanguage: Chinese\u003cbr\u003e\u003c\/span\u003eBinding: Softcover\u003cbr\u003ePages: 96 pages\u003cbr\u003eBook Size: 185 × 127 mm\u003cbr\u003eFirst Edition, August 2025\u003cbr\u003eISBN: 9789860621754\u003c\/p\u003e","brand":"moom editions","offers":[{"title":"Default Title","offer_id":45819082703010,"sku":null,"price":128.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/R0002321.png?v=1757682618"},{"product_id":"put-myself-out-of-the-world","title":"Put myself out of the world 置身世外","description":"\u003cp data-start=\"230\" data-end=\"270\"\u003e\u003cstrong data-start=\"230\" data-end=\"268\"\u003ePut Myself Out of the World · 置身世外\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"272\" data-end=\"520\"\u003eThe value and meaning of existence is a question humanity contemplates throughout life.\u003cbr data-start=\"359\" data-end=\"362\"\u003eWhen I reflect on the question \u003cem data-start=\"393\" data-end=\"406\"\u003e“Who am I?”\u003c\/em\u003e, I often turn to titles, experiences, and social roles to define myself. But do these truly represent who I am?\u003c\/p\u003e\n\u003cp data-start=\"522\" data-end=\"749\"\u003eIf my titles change, if my experiences and roles shift, or even if my body transforms—would my existence disappear? No. I know I am still me, here in this very moment. It is \u003cem data-start=\"696\" data-end=\"699\"\u003eI\u003c\/em\u003e who experience what we call the external world.\u003c\/p\u003e\n\u003cp data-start=\"751\" data-end=\"1037\"\u003eAs human beings, we inevitably pursue a beautiful external life—fame, wealth, appearances, and more. We believe these will bring us life’s meaning. Yet, between the external and internal, contradictions and helplessness often arise. They may seem paradoxical, and yet not entirely so.\u003c\/p\u003e\n\u003cp data-start=\"1039\" data-end=\"1220\"\u003eWhen I look deeper into the distinction between self and the outside world, I realize it is not the external that defines me—but I who decide what kind of self I choose to become.\u003c\/p\u003e\n\u003cp data-start=\"1222\" data-end=\"1308\"\u003e\u003cem data-start=\"1222\" data-end=\"1285\"\u003e“I am not what happened to me, I am what I choose to become.”\u003c\/em\u003e\u003cbr data-start=\"1285\" data-end=\"1288\"\u003e— Carl Gustav Jung\u003c\/p\u003e\n\u003cp data-start=\"1327\" data-end=\"1396\"\u003e存在的價值與意義，是人終其一生不斷探討的課題。\u003cbr data-start=\"1350\" data-end=\"1353\"\u003e當我思考「我是誰」時，總會用稱謂、經驗與社會角色來定義自己。可這些真的能代表我嗎？\u003c\/p\u003e\n\u003cp data-start=\"1398\" data-end=\"1468\"\u003e若我更換了稱謂，經歷了不同角色，甚至擁有新的身體，我就不復存在了嗎？我清楚知道我依然是我，存在於此時此刻。是「我」在體驗所謂的外在世界。\u003c\/p\u003e\n\u003cp data-start=\"1470\" data-end=\"1535\"\u003e生而為人，難免追求名利、物質、外型等外在之美，以為這能夠找到人生價值。但外在與內在之間，總有矛盾與無奈。看似矛盾，卻又非矛盾。\u003c\/p\u003e\n\u003cp data-start=\"1537\" data-end=\"1580\"\u003e當我放大思考自我與外在的差別時，我明白不是外在定義了我，而是我決定成為怎樣的自己。\u003c\/p\u003e\n\u003cp data-start=\"1582\" data-end=\"1614\"\u003e不是世事造就了我，而是我選擇成為這樣的自己。\u003cbr data-start=\"1604\" data-end=\"1607\"\u003e—— 榮格\u003c\/p\u003e\n\u003cp data-start=\"1135\" data-end=\"1676\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e+++\u003cbr\u003eLanguage: Chinese\u003cbr\u003e\u003c\/span\u003eBinding: Softcover\u003cbr\u003eBook Size: 210 × 280 mm\u003cbr\u003e\u003c\/p\u003e","brand":"郭昀倩 Yun Chien Kuo","offers":[{"title":"Default Title","offer_id":45862404161698,"sku":null,"price":180.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/Put_myself_out_of_the_world.png?v=1759380477"},{"product_id":"yoko","title":"Yoko","description":"\u003cp data-end=\"245\" data-start=\"217\"\u003e\u003cstrong data-end=\"243\" data-start=\"217\"\u003eYoko — Masahisa Fukase\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"378\" data-start=\"247\"\u003eNearly fifty years after its first release, \u003cem data-end=\"310\" data-start=\"291\"\u003eMasahisa Fukase’s\u003c\/em\u003e 1978 masterpiece \u003cem data-end=\"334\" data-start=\"328\"\u003eYoko\u003c\/em\u003e returns in this long-awaited new edition.\u003c\/p\u003e\n\u003cp data-end=\"798\" data-start=\"380\"\u003ePhotographed between 1964 and 1976, \u003cem data-end=\"422\" data-start=\"416\"\u003eYoko\u003c\/em\u003e chronicles Fukase’s complex relationship with his wife, Yoko — from marriage to separation — through a deeply personal lens. The images move between playfulness and melancholy, blurring the boundary between art and private memory. Interspersed with early appearances of his iconic ravens, the work captures both the tenderness and the loss that defined their time together.\u003c\/p\u003e\n\u003cp data-end=\"1093\" data-start=\"800\"\u003eThis reissue preserves all photographs from the original edition, accompanied by essays from \u003cem data-end=\"945\" data-start=\"893\"\u003eShoji Yamagishi, Harumi Setouchi, Masahisa Fukase,\u003c\/em\u003e and \u003cem data-end=\"964\" data-start=\"950\"\u003eYoko Miyoshi\u003c\/em\u003e (formerly Fukase), with new writings by \u003cem data-end=\"1018\" data-start=\"1005\"\u003eMasako Toda\u003c\/em\u003e and a heartfelt afterword by \u003cem data-end=\"1062\" data-start=\"1048\"\u003eYoko Miyoshi\u003c\/em\u003e, who supported this reprint.\u003cbr\u003e\u003cbr\u003e“If Fukase were still alive and I could say one thing to him now, it would be:\u003cbr data-end=\"1178\" data-start=\"1175\"\u003e‘Well, it is what it is, right!!!!!’” — \u003cem data-end=\"1234\" data-start=\"1220\"\u003eYoko Miyoshi\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLanguage: English, Japanese\u003c\/span\u003e\u003cbr\u003eFormat: Hardcover | 168 pages\u003cbr\u003eDimensions: 245\u003cspan\u003e x 245mm \u003c\/span\u003e| 900g\u003cbr\u003eISBN: 978-4-86541-196-6\u003c\/p\u003e","brand":"Akaaka Art Publishing Inc","offers":[{"title":"Default Title","offer_id":45892968415394,"sku":null,"price":366.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/2_449b23c6-fce5-4575-9775-b0c1cd5a0ba5.png?v=1760422215"},{"product_id":"coastline","title":"Coastline","description":"\u003cp data-end=\"224\" data-start=\"197\"\u003e\u003cstrong data-end=\"224\" data-start=\"197\"\u003eCoastline  — Zhang Xiao\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"685\" data-start=\"226\"\u003eChina’s coastline stretches for over eighteen thousand kilometers from the mouth of the Yalu River in Liaoning Province in the north, to the Beilun River in Guangxi Province in the south. Since the country began opening up more than thirty years ago, immense transformation has unfolded. Cities resemble vast construction sites, racing to catch up with the rest of the world. Nowhere is this pace of change more visible than along China’s coastal regions.\u003c\/p\u003e\n\u003cp data-end=\"1279\" data-start=\"687\"\u003eEvery year, millions leave their rural hometowns to seek work in coastal cities. The drive for urbanization and economic growth continues relentlessly, while the spiritual life of the people often lags behind. During the Spring Festival, hundreds of millions return home for brief reunions, crossing the country from north to south, east to west. Yet amid this movement, many lose their sense of belonging losing touch with what “home” truly means. As China undergoes drastic transformation, traditional values and customs are being displaced, leaving behind a quiet sense of dislocation.\u003c\/p\u003e\n\u003cp data-end=\"1627\" data-start=\"1281\"\u003eWhile traveling and photographing along the coast, I was often asked, “What are you doing here? Is there anything worth photographing?” I would ask myself the same question and always answer, “Just to see, to look around.” My aim is to record moments of contemporary China, its people, its landscapes, its truth and to look toward the sea.\u003c\/p\u003e\n\u003cp data-end=\"1928\" data-start=\"1629\"\u003eAs a child, I longed for the sea. It seemed mysterious and unreachable. Today, that feeling remains. I go to the sea to seek emotional conflict, beauty, sorrow, and memory. The sea is the beginning of both life and dreams and through it, I continue searching for a sense of home within my heart.\u003c\/p\u003e\n\u003cp data-end=\"1952\" data-start=\"1930\"\u003e\u003cem data-end=\"1950\" data-start=\"1930\"\u003eText by Zhang Xiao\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLanguage: English, Chinese, Japanese\u003c\/span\u003e\u003cbr\u003eFormat: Softcover | 36 pages\u003cbr\u003eDimensions: 257\u003cspan\u003e x 182mm \u003c\/span\u003e| 140g\u003cbr\u003eLimited Edition of 500\u003c\/p\u003e","brand":"Zen Foto Gallery","offers":[{"title":"Default Title","offer_id":45892975198370,"sku":null,"price":145.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/4_1d6b6872-3ff4-4aa9-aaf0-bdd7069ff07f.png?v=1760422157"},{"product_id":"a-hometown","title":"A Hometown: 2056 kilometers, 360 villagers, countless apples \u0026 a farewell","description":"\u003cp data-start=\"84\" data-end=\"532\"\u003e\u003cstrong data-start=\"84\" data-end=\"161\"\u003eA Hometown: 2056 Kilometers, 360 Villagers, Countless Apples \u0026amp; a Farewell\u003cbr\u003e\u003c\/strong\u003e\u003cbr data-start=\"161\" data-end=\"164\"\u003eIn \u003cem data-start=\"167\" data-end=\"179\"\u003eA Hometown\u003c\/em\u003e, Chinese photographer Zhang Xiao brings together more than a dozen bodies of work created since 2011, all centered on his home village in Yantai, Shandong. At times cool and observational, at others tender and nostalgic, the book traces Zhang’s evolving relationship with the idea of “hometown” amid China’s sweeping social and economic transformation.\u003c\/p\u003e\n\u003cp data-start=\"534\" data-end=\"909\"\u003eAcross these interconnected series, Zhang reconstructs the rural aesthetics of his childhood, juxtaposes village life with the country’s rapidly urbanizing cities, and portraits the people who anchor his memories. Layered with symbols, metaphors, and recurring motifs, the book forms a complex visual narrative about belonging, estrangement, and the shifting meaning of home.\u003c\/p\u003e\n\u003cp data-start=\"911\" data-end=\"1216\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e“I returned to the place where I was born and grew up to retrieve my memories, since only the memories are lovely while the present is too dreadful to revisit… We cannot be sure if this kind of impact is positive or not.” — from Zhang Xiao’s foreword\u003cbr\u003e\u003cbr data-start=\"1163\" data-end=\"1166\"\u003e\u003cem data-start=\"1166\" data-end=\"1216\" data-is-last-node=\"\"\u003e(All text included in both Chinese and English.)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLanguage: English \u0026amp; Chinese\u003c\/span\u003e\u003cbr\u003eFormat: Softcover | 1112 pages\u003cbr\u003eDimensions: 180\u003cspan\u003e x 135mm \u003c\/span\u003e| 1300g\u003cbr\u003e\u003c\/p\u003e","brand":"Jiazazhi Press","offers":[{"title":"Default Title","offer_id":46359102881954,"sku":null,"price":245.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/AHometown.png?v=1764672182"},{"product_id":"my-lifes-band","title":"My Life's Band","description":"\u003cp data-start=\"0\" data-end=\"255\"\u003e\u003cstrong data-start=\"0\" data-end=\"18\"\u003eMy Life’s Band\u003c\/strong\u003e by \u003cstrong data-start=\"22\" data-end=\"35\"\u003eLucy Zhou\u003c\/strong\u003e is a photographic reflection on life, memory, and emotional rhythm. Conceived as a personal milestone, the book brings together a deeply considered body of work, edited and sequenced as a meditation on lived experience.\u003c\/p\u003e\n\u003cp data-start=\"257\" data-end=\"409\"\u003eThe book unfolds across \u003cstrong data-start=\"281\" data-end=\"314\"\u003efive distinct visual chapters\u003c\/strong\u003e, each immersed in a singular color atmosphere to evoke different emotions and states of being:\u003c\/p\u003e\n\u003cul data-start=\"411\" data-end=\"730\"\u003e\n\u003cli data-start=\"411\" data-end=\"484\"\u003e\n\u003cp data-start=\"413\" data-end=\"484\"\u003e\u003cstrong data-start=\"413\" data-end=\"433\"\u003ePrologue · Color\u003c\/strong\u003e — the richness and interweaving of everyday life\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"485\" data-end=\"550\"\u003e\n\u003cp data-start=\"487\" data-end=\"550\"\u003e\u003cstrong data-start=\"487\" data-end=\"505\"\u003eBreath · Green\u003c\/strong\u003e — quiet growth and stillness within nature\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"551\" data-end=\"605\"\u003e\n\u003cp data-start=\"553\" data-end=\"605\"\u003e\u003cstrong data-start=\"553\" data-end=\"572\"\u003eWarmth · Orange\u003c\/strong\u003e — warmth, energy, and movement\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"606\" data-end=\"674\"\u003e\n\u003cp data-start=\"608\" data-end=\"674\"\u003e\u003cstrong data-start=\"608\" data-end=\"632\"\u003eContemplation · Blue\u003c\/strong\u003e — inner depth, distance, and reflection\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"675\" data-end=\"730\"\u003e\n\u003cp data-start=\"677\" data-end=\"730\"\u003e\u003cstrong data-start=\"677\" data-end=\"693\"\u003eFervor · Red\u003c\/strong\u003e — passion, intensity, and vitality\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"732\" data-end=\"901\"\u003eThrough its use of monochromatic tonal treatments, \u003cem data-start=\"783\" data-end=\"799\"\u003eMy Life’s Band\u003c\/em\u003e reimagines color as an abstract, atmospheric language, reshaping perception beyond the literal image.\u003c\/p\u003e\n\u003cp data-start=\"903\" data-end=\"1145\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eEach page carries Lucy’s careful observation of the world, inviting readers to slow down, reflect, and find moments of resonance within their own lives.\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:736293ce-f745-415d-8584-5aa2899ec207-64\" data-testid=\"conversation-turn-20\" data-scroll-anchor=\"true\" data-turn=\"assistant\" style=\"font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0);\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"5903e56a-1544-43ae-ac09-449f4fdf3c16\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-2\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full break-words dark markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"107\"\u003e《\u003cstrong data-start=\"1\" data-end=\"19\"\u003eMy Life’s Band\u003c\/strong\u003e》是摄影师 \u003cstrong data-start=\"25\" data-end=\"38\"\u003eLucy Zhou\u003c\/strong\u003e 对生活、情绪与时间节奏的一次深度回望与整理。作为阶段性创作的总结，这本摄影书以细腻而克制的方式，将个人经验转化为具有情绪张力的视觉叙事。\u003c\/p\u003e\n\u003cp data-start=\"109\" data-end=\"160\"\u003e全书被编排为 \u003cstrong data-start=\"116\" data-end=\"129\"\u003e五个独立的视觉篇章\u003c\/strong\u003e，每一章都浸润在特定的色彩氛围之中，用以表达不同的情绪与主题：\u003c\/p\u003e\n\u003cul data-start=\"162\" data-end=\"324\"\u003e\n\u003cli data-start=\"162\" data-end=\"192\"\u003e\n\u003cp data-start=\"164\" data-end=\"192\"\u003e\u003cstrong data-start=\"164\" data-end=\"175\"\u003e序章 · 彩色\u003c\/strong\u003e —— 生活的斑斓、交织与流动\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"193\" data-end=\"227\"\u003e\n\u003cp data-start=\"195\" data-end=\"227\"\u003e\u003cstrong data-start=\"195\" data-end=\"207\"\u003e呼吸 · 绿色调\u003c\/strong\u003e —— 自然深处的静谧、生长与呼吸感\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"228\" data-end=\"259\"\u003e\n\u003cp data-start=\"230\" data-end=\"259\"\u003e\u003cstrong data-start=\"230\" data-end=\"242\"\u003e暖意 · 橙色调\u003c\/strong\u003e —— 温暖的能量与跃动的情绪\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"260\" data-end=\"291\"\u003e\n\u003cp data-start=\"262\" data-end=\"291\"\u003e\u003cstrong data-start=\"262\" data-end=\"274\"\u003e沉思 · 蓝色调\u003c\/strong\u003e —— 内心的广阔、深邃与自省\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"292\" data-end=\"324\"\u003e\n\u003cp data-start=\"294\" data-end=\"324\"\u003e\u003cstrong data-start=\"294\" data-end=\"306\"\u003e炽热 · 红色调\u003c\/strong\u003e —— 激情的涌动与生命力的释放\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"326\" data-end=\"372\"\u003e书中以单色调的影像处理方式，对色彩进行图像化重塑，尝试构建一种更具氛围感与抽象性的视觉语言。\u003c\/p\u003e\n\u003cp data-start=\"374\" data-end=\"477\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e每一页都承载着作者对世界的观察与思考，期待与读者产生细微而真实的情感共鸣。\u003cbr\u003e\u003cbr\u003e+++\u003cbr\u003eLanguage: English\u003cbr\u003eBook Size: 185\u003cspan\u003e × 260mm\u003c\/span\u003e\u003cbr\u003ePages: 190 pages\u003cbr\u003eBinding: Softcover\u003cbr\u003eNovember 2025 First Edition\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c!----\u003e","brand":"Lucy Zhou","offers":[{"title":"Default Title","offer_id":46472908243106,"sku":null,"price":218.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/MyLife_sBand_41898b09-7376-49b2-97cc-dd9b0b71ce8c.png?v=1768104886"},{"product_id":"crushed-stones","title":"Crushed Stones | 破石曲","description":"\u003cp data-end=\"143\" data-start=\"86\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003eCrushed Stones | 破石曲\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e那些恐惧的、伤痛的、后悔的，\u003cbr data-end=\"103\" data-start=\"100\"\u003e被我亲手捧起，\u003cbr data-end=\"113\" data-start=\"110\"\u003e似泥巴般抹在心上。\u003cbr data-end=\"125\" data-start=\"122\"\u003e久而久之，风干成块阴凉的巨石——\u003c\/p\u003e\n\u003cp data-end=\"309\" data-start=\"145\"\u003eThose fears, pains, and regrets,\u003cbr data-end=\"180\" data-start=\"177\"\u003eI held them in my hands\u003cbr data-end=\"206\" data-start=\"203\"\u003eand smeared them across my heart\u003cbr data-end=\"241\" data-start=\"238\"\u003elike mud.\u003cbr data-end=\"253\" data-start=\"250\"\u003eOver time, they dried—\u003cbr data-end=\"278\" data-start=\"275\"\u003ehardening into a giant stone.\u003c\/p\u003e\n\u003cp data-end=\"397\" data-start=\"316\"\u003e\u003cstrong\u003e\"Crushed Stones\"\u003c\/strong\u003e is a quiet confrontation with identity, weight, and emptiness.\u003c\/p\u003e\n\u003cp data-end=\"696\" data-start=\"399\"\u003eThe book traces the slow accumulation of fear, past pain, and self-definition—how they harden over time, forming something heavy, unyielding, and immobile. Tracing numbness, reckoning with fear, and confronting the self through acts of destruction, the work moves toward the roots of all things.\u003c\/p\u003e\n\u003cp data-end=\"949\" data-start=\"698\"\u003eMoving between compression and emptiness, Crushed Stones reflects on the act of becoming—and unbecoming—someone. It is a space where identity loosens, labels fall silent, and stillness is not an absence, but a form of breathing alongside all things.\u003cbr\u003e\u003cspan\u003e\u003cbr\u003eLanguage: English \u0026amp; Chinese\u003cbr\u003eFormat: Hardcover, 74 pages\u003cbr\u003eDimension: \u003cmeta charset=\"utf-8\"\u003e300 x 200mm\u003cbr\u003eWeight: 500g\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Sean Lee","offers":[{"title":"Default Title","offer_id":46490672103586,"sku":null,"price":120.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/Crushed_Stones_01.png?v=1768788091"},{"product_id":"haru-and-mina-1","title":"Haru and Mina","description":"\u003cp data-start=\"63\" data-end=\"342\"\u003eFirst published in 2012 to immediate and widespread acclaim, \u003cem data-start=\"124\" data-end=\"139\"\u003eHaru and Mina\u003c\/em\u003e quickly became a beloved title among photobook collectors. The early edition resonated for its quiet sincerity and has since remained an important reference point for contemporary diaristic photography.\u003c\/p\u003e\n\u003cp data-start=\"344\" data-end=\"602\"\u003eThis latest and most expansive edition revisits and deepens that body of work. Drawn from more than 8,000 photographs made over eleven years, from July 2009 to April 2020, Hideaki Hamada carefully selected 313 images to form this substantial 504-page volume.\u003c\/p\u003e\n\u003cp data-start=\"604\" data-end=\"677\"\u003eEver since my two children were born, I have been taking picture of them.\u003c\/p\u003e\n\u003cp data-start=\"679\" data-end=\"1087\"\u003eWhat unfolds across these pages is not a sequence of milestones, but an attentive observation of ordinary days. Childhood passes gently through spring, summer, autumn, and winter. Interiors, gardens, open fields, and familiar domestic spaces become quiet stages for growth. These are moments so common they might easily slip away unnoticed, yet through Hamada’s patient gaze they accumulate emotional weight.\u003c\/p\u003e\n\u003cp data-start=\"1089\" data-end=\"1363\"\u003eThe work traces the gradual shift from early childhood toward adolescence. Height changes against a doorway. Movements grow more self-aware. Expressions begin to turn inward. Time moves forward, carrying with it the quiet understanding that shared days inevitably transform.\u003c\/p\u003e\n\u003cp data-start=\"1365\" data-end=\"1745\"\u003eSet against landscapes that feel universally recognisable, the photographs awaken something tender and deeply personal. The images invite a soft, lingering nostalgia, as if brushing against faint memories from one’s own distant past.\u003c\/p\u003e\n\u003cp data-start=\"1747\" data-end=\"1987\"\u003eAt its core, \u003cem data-start=\"1760\" data-end=\"1775\"\u003eHaru and Mina\u003c\/em\u003e is a meditation on photography itself. It reflects on the act of holding time still and the fragile impossibility of doing so. Through careful sequencing and restraint, Hamada offers not spectacle, but presence.\u003c\/p\u003e\n\u003cp data-start=\"1989\" data-end=\"2197\"\u003eFor those who value long-form photographic practice and books that unfold slowly over time, this expanded edition stands as a definitive statement of the series. A volume to revisit, and to grow older with.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e+++\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLanguage: English, Japanese\u003c\/span\u003e\u003cbr\u003eFormat: Hardcover | 504 pages\u003cbr\u003eDimensions: 255\u003cspan\u003e x 255mm \u003c\/span\u003e| 1800g\u003cbr\u003eISBN: 978-4-909787-11-8\u003cbr\u003e\u003c\/p\u003e","brand":"Seisodo 青艸堂","offers":[{"title":"Default Title","offer_id":46578230984866,"sku":null,"price":425.0,"currency_code":"MYR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/Haru_And_Mina_New.png?v=1771229369"},{"product_id":"belly-of-the-giant-serpent-prophecy","title":"Belly of the Giant Serpent: Prophecy 巨蛇之腹：预言","description":"\u003cp data-end=\"579\" data-start=\"226\"\u003eSet in the fictional Norgris Town, this work unfolds as a fragmented travel account that drifts between observation, myth, and memory distortion. What begins as a quiet stay with a local family gradually opens into a system of beliefs where daily rituals, pre-dinner prayers, and inherited folklore blur the boundary between cosmology and lived reality.\u003c\/p\u003e\n\u003cp data-end=\"818\" data-start=\"581\"\u003eAt the centre of Norgris is a recurring phrase \u003cem data-end=\"685\" data-start=\"630\"\u003e“The world lies within the belly of a giant serpent.”\u003cbr\u003e\u003c\/em\u003e\u003cbr data-end=\"688\" data-start=\"685\"\u003eIt functions less as metaphor and more as an operative logic through which the town understands existence, protection, and origin.\u003c\/p\u003e\n\u003cp data-end=\"1309\" data-start=\"820\"\u003eAs the narrator is drawn deeper into local narratives, the distinction between historical account and collective imagination begins to collapse. A meteorite incident in the 1990s, interpreted as scaled like a serpent, becomes a foundational myth. Retired teacher Patrick’s cosmological theory further expands this system, proposing a universe that originates from serpentine formation dust curling into planetary bodies, life emerging from enclosed curvature rather than linear creation.\u003c\/p\u003e\n\u003cp data-end=\"1627\" data-start=\"1311\"\u003eSeasonal rituals led by the priest intensify this atmosphere, where perception becomes unstable and bodily experience begins to echo the mythology itself. The work gradually shifts away from documentation toward psychological immersion, where what is seen, remembered, or imagined can no longer be cleanly separated.\u003c\/p\u003e\n\u003cp data-end=\"1894\" data-start=\"1629\"\u003eUltimately, Norgris remains unresolved possibly real, possibly constructed. What persists is not its geography, but its condition: a world held within enclosure, suspended inside a protective and digestive interiority where meaning is never fixed, only contained.\u003c\/p\u003e\n\u003cp data-end=\"1894\" data-start=\"1629\"\u003e\u003cem\u003eBelly of the Giant Serpent: Prophecy is a work concealed beneath the masks of fiction and the supernatural, which metaphorically depicts the author's life during the 2019-nCoV pandemic, along with the silent accusations that accompanied it.  The town the protagonist accidentally steps in is a metaphor of China under the strict lockdown conditions.  Through the science-fiction-like short story and genrative images operated by AI, the author tries to express the unspeakable but unforgettable personal experience and collective trauma.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-end=\"1986\" data-start=\"1923\"\u003eThis book is intended for readers and viewers who are drawn to:\u003c\/p\u003e\n\u003cul data-end=\"2538\" data-start=\"1988\"\u003e\n\u003cli data-end=\"2088\" data-start=\"1988\" data-section-id=\"bkgy6m\"\u003eContemporary photobook practices that merge fiction, field observation, and conceptual narrative\u003c\/li\u003e\n\u003cli data-end=\"2161\" data-start=\"2089\" data-section-id=\"mae59x\"\u003eMyth-making as a structural tool rather than decorative storytelling\u003c\/li\u003e\n\u003cli data-end=\"2243\" data-start=\"2162\" data-section-id=\"135ouwo\"\u003eWorks exploring belief systems, rural cosmologies, and collective imagination\u003c\/li\u003e\n\u003cli data-end=\"2331\" data-start=\"2244\" data-section-id=\"1uu8ris\"\u003eThe intersection between anthropology, speculative fiction, and visual storytelling\u003c\/li\u003e\n\u003cli data-end=\"2426\" data-start=\"2332\" data-section-id=\"1a2yl9n\"\u003eSlow, ambiguous narratives where meaning is constructed through repetition and uncertainty\u003c\/li\u003e\n\u003cli data-end=\"2538\" data-start=\"2427\" data-section-id=\"1ynmiw7\"\u003eArtists, photographers, and researchers interested in the porous boundary between documentary and invention\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"2676\" data-start=\"2540\"\u003eIt may particularly resonate with those who approach photography not as evidence, but as a site where reality is continuously rewritten.\u003cbr\u003e\u003cbr\u003e+++\u003cbr\u003eLanguage: English \u0026amp; Chinese\u003cbr\u003eBook Size: \u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e170 x 235 x 15 mm\u003c\/span\u003e\u003cbr\u003ePages: 174 pages | 350g\u003cbr\u003eBinding: Softcover\u003cbr\u003ePublication Year: 2026  | First Edition\u003cbr\u003eISBN: 978-988-71352-0-3\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Jiazazhi Press","offers":[{"title":"Default Title","offer_id":46928818405538,"sku":null,"price":185.0,"currency_code":"MYR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/Snake_01.png?v=1776062303"},{"product_id":"fading-memories","title":"Fading Memories","description":"\u003cp data-end=\"542\" data-start=\"0\"\u003e\u003cstrong data-end=\"41\" data-start=\"0\"\u003eFading Memories (Những Ký Ức Phai Mờ)\u003c\/strong\u003e unfolds as an intimate photographic inquiry into the fragile terrain of family, memory, and reconciliation. Situated between personal archive and artistic reconstruction, the book traces photographer Fuong’s attempt to mend a quiet but profound rupture with his father, one shaped by differing relationships to the medium itself. \u003cbr\u003e\u003cbr\u003eWhere the parents’ practice was rooted in commercial photography, the son’s pursuit of photography as an expressive, subjective language created both distance and tension.\u003c\/p\u003e\n\u003cp data-end=\"994\" data-start=\"544\"\u003eAs noted by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eJean-Luc A. 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The result is a deeply affective body of work that invites viewers to inhabit the emotional textures of grief, distance, and fragile reconciliation.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1934\" data-start=\"1410\"\u003e\u003cstrong data-end=\"1427\" data-start=\"1410\"\u003eWho is it for\u003c\/strong\u003e\u003cbr data-end=\"1430\" data-start=\"1427\"\u003eThis book is for readers attuned to the poetics of photography, those interested in the intersections of image making, memory, and personal narrative. It will resonate with artists, photographers, and readers of photobooks who are drawn to themes of family, loss, and the shifting nature of truth within visual storytelling. 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What begins as a fragmented relationship between father and son slowly evolves into a shared attempt at reconstruction, sparked by a tentative reconnection in 2020. A boar hunting trip becomes the unlikely setting for proximity, silence, and unresolved emotion where bonding is not declared, but negotiated through presence.\u003c\/p\u003e\n\u003cp data-start=\"649\" data-end=\"1165\"\u003ePresented through a layered combination of newly made photographs, archival materials, written fragments, and evolving sequencing strategies, the book resists a linear narrative. Instead, it moves like memory itself: discontinuous, tactile, and emotionally charged. Across multiple iterations developed between 2022 and 2025 including its early form \u003cem data-start=\"999\" data-end=\"1017\"\u003eBonds of Memoirs\u003c\/em\u003e and its refinement through international mentoring and photobook programs, the project transforms not only in structure, but in psychological depth.\u003c\/p\u003e\n\u003cp data-start=\"1167\" data-end=\"1496\"\u003eEarlier versions were more observational, drawn to the external ritual of boar hunting. The final form turns inward. The hunt becomes metaphor rather than subject, a backdrop against which emotional inheritance, vulnerability, and estrangement are examined with increasing clarity. What emerges is not resolution, but recognition.\u003c\/p\u003e\n\u003cp data-start=\"1498\" data-end=\"1712\"\u003ePrinted on Fedrigoni papers, laser-printed and hand bound in saddle stitch by RAWS Publishing (Bandung), \u003cem data-start=\"1603\" data-end=\"1610\"\u003eGetih\u003c\/em\u003e carries a material sensitivity that mirrors its subject: intimate, imperfect, and deliberately human.\u003c\/p\u003e\n\u003cp data-start=\"1714\" data-end=\"2182\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1714\" data-end=\"1747\"\u003eWhy you should buy this book:\u003c\/strong\u003e\u003cbr\u003eBecause it is not simply a photobook, it is a lived process of confronting emotional inheritance. \u003cem data-start=\"1845\" data-end=\"1852\"\u003eGetih\u003c\/em\u003e offers a rare honesty in contemporary photobook practice: a work that documents not just a relationship between father and son, but the slow, difficult act of understanding what cannot be easily spoken. 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