{"title":"Gio Alternative Printing Workshops","description":"","products":[{"product_id":"fotm-workshop-van-dyke-brown-alternative-photo-printing-14th-june-2026","title":"FOTM Workshop: Van Dyke Brown: Alternative Photo Printing (14th June 2026)","description":"\u003cp data-start=\"71\" data-end=\"163\"\u003eWhat if a photograph could take on the tone of time itself, soft, warm, and quietly enduring?\u003c\/p\u003e\n\u003cp data-start=\"165\" data-end=\"528\"\u003eParticipants are introduced to \u003cstrong data-start=\"196\" data-end=\"223\"\u003eVan Dyke Brown printing\u003c\/strong\u003e, a historic alternative photographic process first patented in 1895. Named after the baroque painter Anthony van Dyck, this iron-silver process builds on early techniques like salt printing and cyanotype, producing images in a distinctive spectrum of sepia tones, from warm brown to deep, grounded blacks.\u003c\/p\u003e\n\u003cp data-start=\"530\" data-end=\"796\"\u003eWhile rooted in history, the process remains approachable. Compared to traditional salt prints, Van Dyke offers richer tonal range and more stable blacks when properly washed, while retaining a simplicity that makes it an ideal entry point into alternative printing.\u003c\/p\u003e\n\u003cp data-start=\"798\" data-end=\"1113\"\u003eOver a 2-hour workshop, participants will explore both the background and hands-on practice of the process, including an introduction to its history, pre-prepared chemistry, safe handling, and step-by-step printing. The session also includes basic troubleshooting and guidance on achieving different tonal qualities.\u003c\/p\u003e\n\u003cp data-start=\"1115\" data-end=\"1344\"\u003eBy the end of the workshop, each participant will bring home:\u003cbr data-start=\"1176\" data-end=\"1179\"\u003e• 2–3 A5 Van Dyke prints (depending on time and session flow)\u003cbr data-start=\"1240\" data-end=\"1243\"\u003e• 1 digital negative prepared for future printing\u003cbr data-start=\"1292\" data-end=\"1295\"\u003e• 1 informational pamphlet on Van Dyke printing\u003c\/p\u003e\n\u003cp data-start=\"1346\" data-end=\"1520\"\u003eThis workshop is designed for beginners and image-makers curious about historical processes, offering a gentle and tactile introduction to printing beyond the digital screen.\u003c\/p\u003e\n\u003cp data-start=\"1527\" data-end=\"1915\"\u003e\u003cstrong data-start=\"1527\" data-end=\"1551\"\u003eAbout the Instructor\u003c\/strong\u003e\u003cbr data-start=\"1551\" data-end=\"1554\"\u003eChristopher Gio Sarsono (b. 2000, Bandung, Indonesia) is a photographer, printmaker, and founder of Dog Days Photo Lab. He began his photographic practice in 2016 and further developed his approach through Kelas Pagi Yogyakarta in 2019, alongside programs such as RAWS Attack Class, Panna Future Talents, Photobook as Object by RPS Tokyo, and Yogurt Lab 2025.\u003c\/p\u003e\n\u003cp data-start=\"1917\" data-end=\"2117\"\u003eWorking primarily with analog photography and alternative printing processes, Gio’s practice explores personal memory, family relationships, and the cultural landscapes that shape everyday experience.\u003c\/p\u003e\n\u003cp data-start=\"1522\" data-end=\"1786\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1525\" data-end=\"1534\"\u003eDate:\u003c\/strong\u003e 14th June 2026 (Sunday)\u003cbr data-start=\"1557\" data-end=\"1560\"\u003e\u003cstrong data-start=\"1562\" data-end=\"1575\"\u003eTime:\u003c\/strong\u003e 10AM-1PM\u003cbr data-start=\"1756\" data-end=\"1759\"\u003e\u003cstrong data-start=\"1762\" data-end=\"1772\"\u003eVenue:\u003c\/strong\u003e Zontiga Taman Paramount\u003cbr\u003e\u003cstrong data-start=\"1734\" data-end=\"1742\"\u003eFee:\u003c\/strong\u003e RM199 per pax\u003cbr\u003e\u003cstrong data-start=\"1674\" data-end=\"1690\"\u003ePreparation:\u003c\/strong\u003e 1 image file\u003cbr\u003e\u003c\/p\u003e","brand":"Zontiga Education","offers":[{"title":"Default Title","offer_id":47235558441122,"sku":null,"price":199.0,"currency_code":"MYR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/WorkshopsVANDYKEBROWN1_1.png?v=1778753401"},{"product_id":"fotm-workshop-salt-printing-alternative-photo-printing-13th-june-2026","title":"FOTM Workshop: Salt Printing: Alternative Photo Printing (13th June 2026)","description":"\u003cp data-start=\"58\" data-end=\"417\"\u003eSalt Printing is one of the earliest photographic processes, developed before photography was even formally defined as a practice. Emerging from experiments in the 1700s and later refined by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eHenry Fox Talbot\u003c\/span\u003e\u003c\/span\u003e in the 1830s, it became a foundational method for producing reproducible images using light-sensitive silver salts.\u003cbr\u003e\u003cbr\u003eAt a time when images were singular and fragile, Salt Printing introduced the possibility of repeatable photographic reproduction. It sits at a turning point in visual history, bridging scientific experimentation, chemistry, and image-making. Its soft sepia tones and uneven surfaces reflect both its age and its manual nature, where each print is shaped by touch, timing, and material response.\u003c\/p\u003e\n\u003cp data-start=\"829\" data-end=\"1111\"\u003eUnlike modern digital printing, Salt Printing is slow and process-driven. Every stage from coating to exposure to washing, directly affects the final image. Its archival qualities are also dependent on careful handling, making each print both an image and a record of its own making.\u003c\/p\u003e\n\u003cp data-start=\"1113\" data-end=\"1507\"\u003e\u003cstrong data-start=\"1113\" data-end=\"1132\"\u003eIn This Workshop\u003c\/strong\u003e\u003cbr data-start=\"1132\" data-end=\"1135\"\u003eParticipants will be guided through both the historical grounding and practical workflow of Salt Printing, including:\u003cbr data-start=\"1252\" data-end=\"1255\"\u003e• The origins and development of early photographic processes\u003cbr data-start=\"1316\" data-end=\"1319\"\u003e• Preparation of digital negatives\u003cbr data-start=\"1353\" data-end=\"1356\"\u003e• Hands-on Salt Printing workflow (chemistry pre-prepared)\u003cbr data-start=\"1414\" data-end=\"1417\"\u003e• Chemical handling, safety, and process control\u003cbr data-start=\"1465\" data-end=\"1468\"\u003e• Troubleshooting and tonal variation\u003c\/p\u003e\n\u003cp data-start=\"1509\" data-end=\"1690\"\u003e\u003cstrong data-start=\"1509\" data-end=\"1530\"\u003eYou’ll Leave With\u003c\/strong\u003e\u003cbr data-start=\"1530\" data-end=\"1533\"\u003e• 2–3 A5 Salt prints (depending on time and process flow)\u003cbr data-start=\"1590\" data-end=\"1593\"\u003e• 1 digital negative prepared for future printing\u003cbr data-start=\"1642\" data-end=\"1645\"\u003e• 1 informational pamphlet on Salt Printing\u003cbr\u003e\u003cbr\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"1701\" data-end=\"1725\"\u003eAbout the Instructor\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"1728\" data-end=\"2108\"\u003eChristopher Gio Sarsono (b. 2000, Bandung, Indonesia) is a photographer, printmaker, and founder of Dog Days Photo Lab. He began his photographic practice in 2016 and developed his approach to visual storytelling through Kelas Pagi Yogyakarta in 2019, followed by programs including RAWS Attack Class, Panna Future Talents, Photobook as Object by RPS Tokyo, and Yogurt Lab 2025.\u003c\/p\u003e\n\u003cp data-start=\"2110\" data-end=\"2410\"\u003eWorking primarily with analog photography and alternative printing processes, Gio explores image-making as a material practice, where memory, process, and chemistry intersect. His work often reflects on personal memory, family relationships, and the cultural landscapes that shape everyday experience.\u003c\/p\u003e\n\u003cp data-start=\"1522\" data-end=\"1786\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1525\" data-end=\"1534\"\u003eDate:\u003c\/strong\u003e 13th June 2026 (Saturday)\u003cbr data-start=\"1557\" data-end=\"1560\"\u003e\u003cstrong data-start=\"1562\" data-end=\"1575\"\u003eTime:\u003c\/strong\u003e 10AM-12PM\u003cbr data-start=\"1756\" data-end=\"1759\"\u003e\u003cstrong data-start=\"1762\" data-end=\"1772\"\u003eVenue:\u003c\/strong\u003e Zontiga Taman Paramount\u003cbr\u003e\u003cstrong data-start=\"1734\" data-end=\"1742\"\u003eFee:\u003c\/strong\u003e RM199 per pax\u003cbr\u003e\u003cstrong data-start=\"1674\" data-end=\"1690\"\u003ePreparation:\u003c\/strong\u003e 1 image file\u003cbr\u003e\u003c\/p\u003e","brand":"Zontiga Education","offers":[{"title":"Default Title","offer_id":47239074513058,"sku":null,"price":199.0,"currency_code":"MYR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/WorkshopsSALTPRINTING1_1.png?v=1778753374"},{"product_id":"fotm-workshop-gumoil-alternative-photo-printing-7th-june-2026","title":"FOTM Workshop: Gumoil: Alternative Photo Printing (7th June 2026)","description":"\u003cp data-start=\"90\" data-end=\"213\"\u003eWhat if a photograph didn’t end at the print, but continued to evolve through touch, pressure, and material resistance?\u003c\/p\u003e\n\u003cp data-start=\"215\" data-end=\"484\"\u003eParticipants are introduced to Gumoil printing, an alternative photographic process developed by Karl Koenig in 1990 that transforms images into high-contrast, textured works through oil pigment and light-sensitive chemistry.\u003c\/p\u003e\n\u003cp data-start=\"486\" data-end=\"824\"\u003eUnlike conventional printing, Gumoil embraces unpredictability. Each image reacts differently to timing, abrasion, and application, making the process a dialogue between control and chance. Selection becomes crucial images with strong contrast and texture respond best to this method, while others may dissolve or resist entirely.\u003c\/p\u003e\n\u003cp data-start=\"826\" data-end=\"1130\"\u003eOver a 2–3 hour workshop, participants will be guided through the fundamentals of the process, including digital negative preparation, chemical handling and safety, and step-by-step printing. The session also covers troubleshooting techniques and how material behaviour influences the final image.\u003c\/p\u003e\n\u003cp data-start=\"1132\" data-end=\"1330\"\u003eBy the end of the workshop, each participant will bring home:\u003cbr data-start=\"1193\" data-end=\"1196\"\u003e• \u003cstrong data-start=\"1198\" data-end=\"1220\"\u003e2 A4 Gumoil prints\u003c\/strong\u003e\u003cbr data-start=\"1220\" data-end=\"1223\"\u003e• \u003cstrong data-start=\"1225\" data-end=\"1247\"\u003e1 digital negative\u003c\/strong\u003e prepared for future printing\u003cbr data-start=\"1276\" data-end=\"1279\"\u003e• \u003cstrong data-start=\"1281\" data-end=\"1309\"\u003e1 informational pamphlet\u003c\/strong\u003e on Gumoil printing\u003c\/p\u003e\n\u003cp data-start=\"1527\" data-end=\"1915\"\u003e\u003cstrong data-start=\"1527\" data-end=\"1551\"\u003eAbout the Instructor\u003c\/strong\u003e\u003cbr data-start=\"1551\" data-end=\"1554\"\u003eChristopher Gio Sarsono (b. 2000, Bandung, Indonesia) is a photographer, printmaker, and founder of Dog Days Photo Lab. He began his photographic practice in 2016 and further developed his approach through Kelas Pagi Yogyakarta in 2019, alongside programs such as RAWS Attack Class, Panna Future Talents, Photobook as Object by RPS Tokyo, and Yogurt Lab 2025.\u003c\/p\u003e\n\u003cp data-start=\"1917\" data-end=\"2117\"\u003eWorking primarily with analog photography and alternative printing processes, Gio’s practice explores personal memory, family relationships, and the cultural landscapes that shape everyday experience.\u003c\/p\u003e\n\u003cp data-start=\"1522\" data-end=\"1786\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1525\" data-end=\"1534\"\u003eDate:\u003c\/strong\u003e 7th June 2026 (Sunday)\u003cbr data-start=\"1557\" data-end=\"1560\"\u003e\u003cstrong data-start=\"1562\" data-end=\"1575\"\u003eTime:\u003c\/strong\u003e 10AM-1PM\u003cbr data-start=\"1756\" data-end=\"1759\"\u003e\u003cstrong data-start=\"1762\" data-end=\"1772\"\u003eVenue:\u003c\/strong\u003e Zontiga Taman Paramount\u003cbr\u003e\u003cstrong data-start=\"1734\" data-end=\"1742\"\u003eFee:\u003c\/strong\u003e RM229 per pax\u003cbr\u003e\u003cstrong data-start=\"1674\" data-end=\"1690\"\u003ePreparation:\u003c\/strong\u003e \u003cspan\u003e1 high-contrast \/ textured image file\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Zontiga Education","offers":[{"title":"Default Title","offer_id":47239080607906,"sku":null,"price":229.0,"currency_code":"MYR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/WorkshopsGUMOIL1_1.png?v=1778753345"},{"product_id":"fotm-workshop-gum-bichromate-alternative-photo-printing-20th-june-2026","title":"FOTM Workshop: Gum Bichromate: Alternative Photo Printing (20th June 2026)","description":"\u003cp data-start=\"61\" data-end=\"564\"\u003eGum Bichromate is a historic pigment-based photographic process that transforms images into painterly, layered works using watercolor pigments and light sensitive chemistry. Developed through early research by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMungo Ponton\u003c\/span\u003e\u003c\/span\u003e and \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eHenry Fox Talbot\u003c\/span\u003e\u003c\/span\u003e, and refined into its photographic form in the 19th century, the process later became widely used during the Pictorialism movement as photographers sought more expressive, hand crafted image making.\u003cbr\u003e\u003cbr\u003eUnlike conventional photographic printing, Gum Bichromate treats the image as a surface to be built rather than captured. Pigment, water, and light interact in unpredictable ways, allowing for tonal variation, texture, and even multiple layers of colour. Each print can be reworked and re exposed, making the process closer to painting than mechanical reproduction.\u003c\/p\u003e\n\u003cp data-start=\"1120\" data-end=\"1527\"\u003e\u003cstrong data-start=\"1120\" data-end=\"1139\"\u003eIn This Workshop\u003c\/strong\u003e\u003cbr data-start=\"1139\" data-end=\"1142\"\u003eParticipants will be introduced to both the historical and practical foundations of the process, including:\u003cbr data-start=\"1249\" data-end=\"1252\"\u003e• The origins and evolution of Gum Bichromate printing\u003cbr data-start=\"1306\" data-end=\"1309\"\u003e• Basic workflow and layering techniques (including duotone approaches)\u003cbr data-start=\"1380\" data-end=\"1383\"\u003e• Chemical handling, preparation, and safety\u003cbr data-start=\"1427\" data-end=\"1430\"\u003e• Hands-on printing and exposure process\u003cbr data-start=\"1470\" data-end=\"1473\"\u003e• Troubleshooting and image control through layering\u003c\/p\u003e\n\u003cp data-start=\"1529\" data-end=\"1730\"\u003e\u003cstrong data-start=\"1529\" data-end=\"1550\"\u003eYou’ll Leave With\u003c\/strong\u003e\u003cbr data-start=\"1550\" data-end=\"1553\"\u003e• 2–3 A4 Gum Bichromate prints (depending on time and process flow)\u003cbr data-start=\"1620\" data-end=\"1623\"\u003e• 1 digital negative prepared for future printing\u003cbr data-start=\"1672\" data-end=\"1675\"\u003e• 1 informational pamphlet on Gum Bichromate printing\u003c\/p\u003e\n\u003cp data-start=\"1527\" data-end=\"1915\"\u003e\u003cstrong data-start=\"1527\" data-end=\"1551\"\u003eAbout the Instructor\u003c\/strong\u003e\u003cbr data-start=\"1551\" data-end=\"1554\"\u003eChristopher Gio Sarsono (b. 2000, Bandung, Indonesia) is a photographer, printmaker, and founder of Dog Days Photo Lab. He began his photographic practice in 2016 and further developed his approach through Kelas Pagi Yogyakarta in 2019, alongside programs such as RAWS Attack Class, Panna Future Talents, Photobook as Object by RPS Tokyo, and Yogurt Lab 2025.\u003c\/p\u003e\n\u003cp data-start=\"1917\" data-end=\"2117\"\u003eWorking primarily with analog photography and alternative printing processes, Gio’s practice explores personal memory, family relationships, and the cultural landscapes that shape everyday experience.\u003c\/p\u003e\n\u003cp data-start=\"1522\" data-end=\"1786\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1525\" data-end=\"1534\"\u003eDate:\u003c\/strong\u003e 20th June 2026 (Saturday)\u003cbr data-start=\"1557\" data-end=\"1560\"\u003e\u003cstrong data-start=\"1562\" data-end=\"1575\"\u003eTime:\u003c\/strong\u003e 10AM-12PM\u003cbr data-start=\"1756\" data-end=\"1759\"\u003e\u003cstrong data-start=\"1762\" data-end=\"1772\"\u003eVenue:\u003c\/strong\u003e Zontiga Taman Paramount\u003cbr\u003e\u003cstrong data-start=\"1734\" data-end=\"1742\"\u003eFee:\u003c\/strong\u003e RM199 per pax\u003cbr\u003e\u003cstrong data-start=\"1674\" data-end=\"1690\"\u003ePreparation:\u003c\/strong\u003e \u003cspan\u003e1 image file\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Zontiga Education","offers":[{"title":"Default Title","offer_id":47239087227042,"sku":null,"price":199.0,"currency_code":"MYR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0687\/8521\/files\/WorkshopsGUMBICHROMATE1_1.png?v=1778753320"}],"url":"https:\/\/zontiga.com\/collections\/gio-workshop.oembed","provider":"Zontiga","version":"1.0","type":"link"}